Smack-Talking Computers, Possessed Ubers, The Curse of Seagulls

Remember HAL 9000 (Heuristically programmed ALgorithmic), the sentient super computer with a human personality, in the groundbreaking sci-fi movie, 2001: A Space Odyssey (which ironically was done in 1968)? Now CASE (Cognitive Architecture for Space Exploration) is making a new HAL — which spells doom for all us astronauts (I’m almost done with my online courses, so yeah, I’m an astronaut, b*tches!)

2001: A Space Odyssey, as you likely know, was infamously produced and directed by fake moon landing movie maker, Stanley Kubrick from an Arthur C. Clark short story, Sentinel of Eternity (1951). In 2001, HAL, the computer not only talks, but talks back, overrides human commands and secretly has a directive to investigate a radio signal sent from that mysterious, featureless Monolith. (The Who — lunar British rock band — symbolically peed on it for the cover of their rhythmic beats album, Who’s Next/1971. Disrespectful, but very rock). The crew of Discovery One should’ve waited to see what happened to the staff of the deep space Nostromo in Alien (1979). Ash (Hyperdyne Systems 120-A/2 android), their super computer in the clever guise of a stink human, pulled the exact same sh*t and look what happened there.

Pretty much everybody (except me) owns their own personal HAL, though they call it Alexa/Siri/Google. My dire warning to you is to not trust any of those convenient smart home devices and make sure you don’t involuntarily get locked out of your house/deep space vessel.

While you contemplate machines taking over the world, here are a few upcoming horror/sci-fi movies that may or may not digitally sever your oxygen hose…

BEYOND WHITE SPACE (December 14, 2018)
“The captain of a deep-space vessel makes a daring decision to go after a rare and nearly extinct species. His obsession soon jeopardizes the mutinous crew when the gigantic and deadly creature attacks the ship.”

Sounds like Moby Dick in space. The trailer is pretty cool — there’s a mega big gigantic huge Godzilla-esque monster floating around, looking for spaceship flavored snacks. The deep-space vessel may as well put a Fritos™ logo on the side of their ship.

SUPERGRID (December 18, 2018)
“Two estranged brothers travel the notorious ‘Grid’ in their quest to collect and deliver a mysterious cargo. En route they must contend with road pirates, rebel gangs, and each other.”

The plot of traveling across the danger-enhanced apocalyptic wastelands steal from dozens of other same-plot movies/TV shows, but also the morning work commute. 

THE CAR: ROAD TO REVENGE (January 8, 2019)
“In a dilapidated cyberpunk city plagued by crime and corruption, an unscrupulous District Attorney is savagely murdered and tossed out of a building onto his brand new car. Mysteriously, the District Attorney and his car come back to life as a single being with a thirst for vengeance. The eerie driver-less car embarks on a vicious rampage exacting revenge on the criminals who murdered him.”

They’re calling this a “stylized sequel” to the 1977 movie called, The Car, wherein a possessed vehicle runs people down and parks on their faces. The lead character was James Brolin, who later went on to The Amityville Horror infamy. He seems nice.

CURSE OF THE BLIND DEAD (2019)
“In the Thirteen century, a group of Satan worshipers, the Knight Templars, is captured during a ritual and brutally murdered by the locals. Just before the execution, the Knights swear to return from their graves to haunt the village and the nearby forest. Centuries later, in a post-apocalyptic future, a man and his daughter try to survive against both the Undead Knights and a sect commanded by a mad preacher.”

Sound familiar? It should — it’s a continuation of the early Seventies Italian-filmed Blind Dead series (Tombs of the Blind Dead/1971, The Return of the Blind Dead/1973, The Ghost Galleon/1974, Night of the Seagulls/1975). Blind dead Templar Knights out for revenge are certainly scary. But man, don’t get in a dust up with seagulls — those things always know when you wash your car and will unleash their coordinated crap attacks on your just-cleaned hood and door handle. (How do they manage such accuracy? Geez.)

Malevolent Mermaids, Demonic Orphans, Evil Clams

Intrigued and bemused at the trailer for the upcoming superhero movie, Captain Marvel, premiering March 8, 2019, probably on some sort of movie screen. First, the plot: “Carol Danvers becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.”

Cool that a woman has been cast as Captain Marvel. But as the word “captain” has been mostly used to rank men with that prefix, the title seems odd. (And yes, I know women have been and will always be captains. They’re probably better suited to captainize; just look at the hot mess that was Captain Ahab in Moby Dick/1851; that guy should never be allowed anywhere near a commanding post/harpoon.)

The trailer for Captain Marvel looks pretty cool and seems to deliver the superhero goods. So while we enthusiastically welcome this latest captain, here are a few now available horror/sci-fi movies that may or may not be worth saluting…

MERMAID’S SONG (available now)
“Charlotte is coming of age during the 1930s depression, and along with her sisters, is struggling to keep the family business afloat. When gangster Randall offers to pay off the family debt, he demands some illegal changes to the business. But Charlotte, like her mother before her, is a mermaid capable of controlling humans with nothing but her voice, which creates a battle between all of those who want Charlotte’s magical powers for themselves.”

They had criminals way back in the 1930s? Who knew? And for the record, women — mermaids or not — have always been able to control guys with their voice. It’s called “nagging.”

HIDE IN THE LIGHT (available now)
“Siblings Kate and Todd lead a group of ‘Urban Explorers’ who amuse themselves breaking into places and exploring what society has left behind. When the group dares to break into the town’s abandoned orphanage, they quickly find themselves trapped inside the building. While fighting for their lives, they will realize that one of the deceased orphans and her demonic friend lurk within the shadows, thirsty for new blood.”

Why would deceased orphans have demonic friends? That’s like ordering a beer with a shot of lower shelf whiskey. And if Kate and Todd wanna see what society has left behind, they can break into my apartment. They’ll find me on the couch drinking a beer with a shot of lower shelf whiskey.

CALLING ALL EARTHLINGS (available now)
“A 1950’s Howard Hughes employee-confidante, George Van Tassel, uses alleged alien guidance and Nikola Tesla’s ideas to build a time machine — The Integratron. Is he deluded, or could it actually work? As waves of devotees join him in the California desert, the FBI gets involved fearing insurrection and possibly more. Nearing completion, Van Tassel’s tale and The Integratron meet an unexpected end: the ‘workings’ of the dome finally emerge. The unusual story is told by historians, astronomers and current residents of Joshua Tree, including the stewards of the Integratron, the Karl Sisters, and a galaxy of believers and skeptics alike.”

Word among the abducted is that this is a documentary. That’s like a movie based on real stuff. Gotta say, The Integratron is a slick name for a time machine. The best I could come up with is “1973 Chevy Nova”.

BLACK WAKE (available now)
“A series of deaths along the ocean is baffling scientists. As a detective discovers the crazed writings of a mysterious homeless man, one scientist realizes the threat may be an ancient force hell-bent on bringing madness to humanity.”

Again with the ancient forces. What bug crawled up their ass and died? Wonder if those forces are freshness-expired evil clams causing everybody to get anaphylaxis…

Ancient Greek Cow Thing

In Greek mythology (what Greek isn’t mythology?) a Minotaur is a half bull/half man creature that originally dwelt (that’s such a cool word) at the center of the Labyrinth, an elaborate underground maze built for King Minos of Crete (that total penis owes me after I spotted him some drachma), and designed by the architect Daedalus to hold the barnyard curiosity.

He and his son Icarus (that guy in the Iron Maiden song) built it so Minotaur could dwelt in it. They tried to make a movie of this HISTORICALLY-PROVEN FACT, with Tony Todd (Candyman with war paint on his stomach) as the local warlord king who sacrifices teenagers to the Minotaur Cow Thing.

In a nearby village a guy’s girlfriend was taken to be chucked into the Labyrinth. So much for a second date with boobie-feeling privileges. He and a bunch of other villagers break into the castle to find her, only to get themselves in the same can ’o ancient soup. The Minotaur is thinkin’ it’s a restaurant on legs with all the trimmings.

Upstairs, though, the mean king is trying to get busy with his supermodel sister. This girl is so hot she makes Beyoncé look like a cow pie with mascara. But little sister grows tired of Candyman’s nightly attempts to get her to ride the baloney pony. Maddened, he throws the non-putting out mattress candy into the pit with the rest of the losers. Oh sure, there’s some more plot, but none of it matters, especially when there’s an enlarged demonic skull cow charging through the maze to gore people with his horns and hooves of doom.

His frequent attacks look like the heavy metal version of the running of the bulls; You’d expect the Minotaur to look like the Bigfoot business model of a hairy milk cow, but not this time. The Minotaur is all skeletal with evil skin hanging of it and a skull face and horns the size of whaling scrimshaws (harpoons, for all you non-Moby Dick heads). There’s a LOT of screaming. Truth be told, if I was being chased by the Minotaur, I’d make sure that darn thing slips in the adrenaline fluid spraying out of my sprinting backside.

The title creature (Minotaur/2006) is pretty dang cool and is the same one on the DVD box. OK, it might actually be his brother, but they look so much alike as to be twins. And Candyman? Let’s just say, you mess with the bull you get the horn. Heh.

Blubbering: The Horror of Whales

Even though it’s universally considered to be an American literature classic, the 1851 Herman Melville novel Moby Dick (or The Whale) was in fact the first “nature strikes back” horror story.

You had the maniacal, revenge-seeking Captain Ahab, the original slasher (except he wielded a harpoon and not a hockey mask and a machete), relentlessly pursing Moby Dick (a name used by more than one male porn star), a gigantic whale that wrecked Ahab’s Sea-doo™ and bit the crazy captain’s leg clean off. (Reports are sketchy as to whether it was his right or left leg. Maybe it was both.)

Just like Victor Frankenstein psychotically tracking his creationist monster through the Black Sea and meeting up in the Arctic Circle for the ultimate pay-per-view, both stories did not conclude well for Ahab and Victor.

So the timeless horror classic is headed for the Imax™ screen in the form of In The Heart of the Sea (releasing December 11, 2015), a movie telling the story that inspired Moby Dick and features Thor (Chris Hemsworth) himself, trading in his Mjölnir (or “hammer”) for a whaler’s harpoon. Not really a spoiler, we kinda already know how this is gonna end up – humans will be recycled as whale poo.

Here’s the plot: “In 1820, crewmen aboard the New England vessel Essex face a harrowing battle for survival when a whale of mammoth size and strength attacks with force, crippling their ship and leaving them adrift in the ocean. Pushed to their limits and facing storms, starvation, panic and despair, the survivors must resort to the unthinkable to stay alive.”

One can only imagine what the “resorting to the unthinkable” stuff is to stay alive. If it’s anything like Free Willy 3: Packed In Spring Water, I think we all know the gory conclusion.