Smack-Talking Computers, Possessed Ubers, The Curse of Seagulls

Remember HAL 9000 (Heuristically programmed ALgorithmic), the sentient super computer with a human personality, in the groundbreaking sci-fi movie, 2001: A Space Odyssey (which ironically was done in 1968)? Now CASE (Cognitive Architecture for Space Exploration) is making a new HAL — which spells doom for all us astronauts (I’m almost done with my online courses, so yeah, I’m an astronaut, b*tches!)

2001: A Space Odyssey, as you likely know, was infamously produced and directed by fake moon landing movie maker, Stanley Kubrick from an Arthur C. Clark short story, Sentinel of Eternity (1951). In 2001, HAL, the computer not only talks, but talks back, overrides human commands and secretly has a directive to investigate a radio signal sent from that mysterious, featureless Monolith. (The Who — lunar British rock band — symbolically peed on it for the cover of their rhythmic beats album, Who’s Next/1971. Disrespectful, but very rock). The crew of Discovery One should’ve waited to see what happened to the staff of the deep space Nostromo in Alien (1979). Ash (Hyperdyne Systems 120-A/2 android), their super computer in the clever guise of a stink human, pulled the exact same sh*t and look what happened there.

Pretty much everybody (except me) owns their own personal HAL, though they call it Alexa/Siri/Google. My dire warning to you is to not trust any of those convenient smart home devices and make sure you don’t involuntarily get locked out of your house/deep space vessel.

While you contemplate machines taking over the world, here are a few upcoming horror/sci-fi movies that may or may not digitally sever your oxygen hose…

BEYOND WHITE SPACE (December 14, 2018)
“The captain of a deep-space vessel makes a daring decision to go after a rare and nearly extinct species. His obsession soon jeopardizes the mutinous crew when the gigantic and deadly creature attacks the ship.”

Sounds like Moby Dick in space. The trailer is pretty cool — there’s a mega big gigantic huge Godzilla-esque monster floating around, looking for spaceship flavored snacks. The deep-space vessel may as well put a Fritos™ logo on the side of their ship.

SUPERGRID (December 18, 2018)
“Two estranged brothers travel the notorious ‘Grid’ in their quest to collect and deliver a mysterious cargo. En route they must contend with road pirates, rebel gangs, and each other.”

The plot of traveling across the danger-enhanced apocalyptic wastelands steal from dozens of other same-plot movies/TV shows, but also the morning work commute. 

THE CAR: ROAD TO REVENGE (January 8, 2019)
“In a dilapidated cyberpunk city plagued by crime and corruption, an unscrupulous District Attorney is savagely murdered and tossed out of a building onto his brand new car. Mysteriously, the District Attorney and his car come back to life as a single being with a thirst for vengeance. The eerie driver-less car embarks on a vicious rampage exacting revenge on the criminals who murdered him.”

They’re calling this a “stylized sequel” to the 1977 movie called, The Car, wherein a possessed vehicle runs people down and parks on their faces. The lead character was James Brolin, who later went on to The Amityville Horror infamy. He seems nice.

CURSE OF THE BLIND DEAD (2019)
“In the Thirteen century, a group of Satan worshipers, the Knight Templars, is captured during a ritual and brutally murdered by the locals. Just before the execution, the Knights swear to return from their graves to haunt the village and the nearby forest. Centuries later, in a post-apocalyptic future, a man and his daughter try to survive against both the Undead Knights and a sect commanded by a mad preacher.”

Sound familiar? It should — it’s a continuation of the early Seventies Italian-filmed Blind Dead series (Tombs of the Blind Dead/1971, The Return of the Blind Dead/1973, The Ghost Galleon/1974, Night of the Seagulls/1975). Blind dead Templar Knights out for revenge are certainly scary. But man, don’t get in a dust up with seagulls — those things always know when you wash your car and will unleash their coordinated crap attacks on your just-cleaned hood and door handle. (How do they manage such accuracy? Geez.)

Power Women, Wormholes, Babysitting the Devil

Whilst watching the recent Critics Choice Awards on the ‘ol viewing box (once again, I failed to make it into any category), it was refreshing to see the continued and passionate support of the #TimesUp movement, and to see those who did win awards, not squander their prime time speeches on themselves/politics/UFOs, and kept echoing the point of gender inequality. This was the best part of the show.

Kumail Nanjiani, the voice of Prismo on Adventure Time (one of the most imaginative, non-alcohol-fueled cartoon series out there), had this to say during his acceptance speech for The Big Sick/Best Comedy: “I think as men, we have been talking for centuries. It’s time for us to shut up, listen, and amplify.”

In the spirit of that, and given that 2018 is clearly the Year of the Woman, I hereby lend my support and nominate as movement ambassador, Ellen Ripley from Alien (1979) and for being a take-charge role model and a kick buttock lady who kicks xenomorph buttock all over the galaxy. (Other personal candidates are Diana Prince (Wonder Woman), Natalia Romanova/Natasha Romanoff (Black Widow from Avengers/2012), Melinda May (Marvel’s Agents of Shield) and Princess Bubblegum (Adventure Time).

While everyone waits on you to chime in (and please do) with your candidates for Woman/Women of the Year (and every year), here are a few just released and upcoming horror/sci-fi movies that may do better with Ripley/Princess Bubblegum in the lead…

THE BEYOND (available now)
“Set in 2019, The Beyond chronicles the groundbreaking mission which sent astronauts — modified with advanced robotics — through a newly discovered wormhole known as the Void. When the mission returns unexpectedly, the space agency races to discover what the astronauts encountered on their first of its kind interstellar space journey.”

It’d be cool to go into space with an advanced robot. Think of all the cool slot-machine beating tips it could teach you. As wormholes go, the ones in my neighborhood could be called the Void. But I prefer their Earth names: The Poggie Tavern, The Tug Tavern, The Maha… (I could keep going into the Void if you want.)

A DEMON WITHIN (available now)
“A young girl dies in 1914 after a demonic spirit preys on her family. Decades later, a skeptical doctor must stop history from repeating itself by confronting his own demons to save the life of a possessed teenager.”

Seems like everyone is getting possessed these days. Used to be everyone wanted to get married. (If you wanna know what Hell on Earth is, put a ring on it.)

HOUSE OF SALEM (January 23, 2018)
“A group of kidnappers become a child’s unlikely protectors after discovering they have unwittingly been set up to take part in a satanic ritual. As they begin to uncover the truth of the house they find themselves trapped, they must battle demonic forces and uncover a legacy of over a hundred years of murder in the name of the Devil.”

So criminals have to become babysitters? This sounds like a rom-com. Throw in the Devil and madcap situations ensue with hilarious results.

WASTELANDER (January 23, 2018)
“In a post-apocalyptic landscape, an ex-soldier wanders in search of his lost home and family. Along the way, he joins a makeshift group of survivors who convince him to lead them through the wasteland. But when a band of pillaging raiders comes after them, they must fight to survive in this cruel dystopia.”

Wonder why they always frame the future as the Earth having been Napoleon Blown Apart? My vision of the many days after tomorrow include jet-packs, pleasure-bots and self-washing hair.

Provable Sea Monsters, Polish Slashers, Purple Aliens

Newsweek recently caught my attention with this headline: “Prehistoric, Dinosaur-Era Shark With Insane Teeth Found Swimming Off Coast of Portugal.” Well dang — they might as well have said, “Free Candy!”

The drool-worthy article, written by Dana Dovey, goes on to say that “The rare frilled shark is considered a ‘living fossil,’ as its makeup has remained unchanged for 80 million years. This summer, researchers found one alive and thriving off the coast of Portugal, adding evidence regarding the resilience of this ancient sea creature. The frilled shark has remained the same, both inside and out, since the time of the dinosaurs, with scientists dating it back to the Cretaceous Period, a time when the Tyrannosaurus Rex and Triceratops still roamed the planet.”

The article also goes on to say that the shark’s jaw has more than 300 teeth neatly lined in 25 rows. I bet this thing goes through 100 toothbrushes a month.

Even more entertaining were the article’s comments: “OK if I am ever 4,200 ft deep in the ocean off Portugal, I will make sure I avoid this shark.” “Unevolved and been around for millions of years before man? I don’t believe you. Where are the earlier pictures? You know, the ones from millions of years ago as proof.” “People will say this is Photoshopped, but ha! the joke’s on you. Photoshop didn’t exist in the Cretaceous Period.”

While I finish LOL-ing all over myself, here are a few just released and upcoming horror/sci-fi movies with story lines that may or may not have existed 80 million years ago…

FANTOM KILLER (available now)
“Beautiful women living in a small Polish town are being found butchered in unspeakably grotesque ways. As the police desperately search for clues which could lead to the identity of this misogynistic masked assailant, suspicion begins to mount against the strange younger brother of one of the officers, who had been previously confined to an asylum. Will this fiendish killer be unmasked before his bloodthirsty appetite needs to be satisfied once again?”

This one’s from Poland from back in 1998, and just recently being re-issued and released in the States. Heads up: this movie is in Polish, but with English sub-titles. Crap. I can barely speak English, let alone read it.

THE RIFT: DARK SIDE OF THE MOON (November 28, 2017/VOD)
“An American military satellite crash lands in Eastern Serbia and a team of US and Serbian agents are dispatched to secure the remains of the satellite. But when they locate the crash site all is not as it seems.”

This a sequel to 2012’s The Rift? Heck-a-roo if I know. What I do know about The Rift: Dark Side of the Moon is that some astronauts cuttin’ a rug on the moon find a purple, shapeless, glowing alien life-form. Well hey — bring that lunar novelty back to Earth and see what kind of trouble they can make happen! Crossing fingers it’s one of those things you win at the county fair by throwing darts at balloons filled with purple hydrogen.

CUTLASS (December 12/VOD)
“A young tourist is abducted from her family into the jungles of Trinidad by a dangerous, armed sociopath. While the authorities and her family attempt to find her with no success, she is forced to mentally and physically outmaneuver her captor in an effort to stay alive and escape to safety.”

Sounds like this dumbass abducted the wrong woman. He’d have better luck going up against Trinidad’s infamous Rufous-vented chachalaca. (Watch that beak, dude.) I feel sorry for the sociopath.

SCARS OF XAVIER (2017)
“Xavier is a quiet 45-year-old man who lives in Prague. By day he works in a car wash service, but by night he is a brutal and vicious serial killer who primarily targets young women.”

A serial killer who preys on women. Two things — not original by any stretch of the imagination. Also, poor timing — women today, fed up with a-hole men, are about to take over the world. I’d go back to the car wash if I were you, X.

Horror Icon, Sci-Fi God, Native American Ghosts

In place of my usual incitefully snarky (ahem) blog entry intro, I’d like to express my saddened thoughts on the recent, untimely passing of legendary horror filmmaker George A. Romero, 77, who was inarguably the father of the contemporary zombie movie genre.

George, as you should know, was the man behind the timeless and rule-breaking Night of the Living Dead back in 1968. He went on to make such VHS stand-outs as The Crazies (1973), Dawn of the Dead (1978), and The Dark Half (1993), as well as more zombie legacy movies. George, you are, and will continue to be, greatly missed.

Here are a few upcoming horror and sci-fi movies that may not be missed. Or may.

GOD PARTICLE (October 27, 2017)
“A team of astronauts aboard a space station find themselves alone after a scientific experiment involving a particle accelerator makes the Earth vanish. When a space shuttle appears, the space station crew must fight for survival following their horrible discovery.”

The Internet (or “the biggest toilet in the matrix) is claiming this is the third installment of the sorta Cloverfield series. I sure the f-word hope so, as I had more than a few questions after the sorta sequel 10 Cloverfield Lane (2016). A few, though, had been answered by some rather impressive researched clues on YouTube™ that connects Cloverfield (2009) and the second flick-o-rama, with 10 Cloverfield Lane’s Howard Stambler (played by the awesome John Goodman) being the connecting link. (Crap — and all this time I thought it was the aliens.)

Wikipedia™ has this to say about that: “The first hints God Particle was connected to the Cloverfield brand came when a piece of the viral marketing for 10 Cloverfield Lane included a sound clip that was supposedly from the International Space Station.”

Rather than use up your vision with my half-assed summation, get on YouTube™ and pull up Cloverfield; you’ll be amazed — and aghast — that someone would spend so much time digging for very deep clues/answers. The only thing I research are bar stools.

AKUMA (2017)
“Akira Tanaka, a young and attractive but emotionally damaged Japanese woman moves to the United States to escape a past marked by tragedy. She moves in with her sister Hana and her new husband Adam, hoping to leave her demons behind and start a new life. But as Akira’s behavior grows increasingly erratic and strange disturbances mark the night, Akira is forced to reveal her real reason for coming: to flee the malevolent spirit that has been tormenting her since childhood…and which appears to have followed her here.”

MOHAWK (2017/2018)
“After one of her tribe sets an American soldiers’ camp ablaze, a young female Mohawk finds herself pursued by a ruthless band of renegades bent on revenge. Fleeing deep into the woods, Mohawk youths Oak and Calvin confront the bloodthirsty Colonel Holt and his soldiers. As the Americans seem to close in from all sides, the trio must summon every resource — both real and supernatural — as the brutal attack escalates.”

Man, I wish I could summon supernatural resources. First, I’d have them get me a Frisko Freeze™ burger, just to clear my mind. Then, I’d have them build me an in-ground swimming pool. And once they bring me a case of Budweiser™, I’d float in my new in-ground swimming pool and drink it all and, in a hazy state, would unleash utter Heck on Earth. And have another Frisko Freeze™ burger.

THE SIX BILLION DOLLAR MAN (2018)
“Mark Wahlberg’s upcoming action adventure — The Six Billion Dollar Man — is an upgrade of the 1970s TV series The Six Million Dollar Man.”

Yeesh — that’s quite a price increase. Who do they think they are — Seattle landlords?

Some might remember the 1974 ABC series, starring Lee Majors as Col. Steve Austin, who had a near fatal car ka-BOOM and taxpayers funded his bionic arms, legs (and everything else that dangled) with hi-techery. Two things I remember from that TV show, which also spun-off The Bionic Woman in 1976. (She was rebuilt after a skydiving accident made her go splat.) First, Col. Austin always seemed to be wearing a red track suit. Unfashionable in any decade. Secondly, was that weirdly cool science-y reverb noise — sounding like a snapped bed spring — that happened every time he did something with his bionic add-ons. It’s available as a ringtone in case you want to be retro chic.

Lunar Lunacy

In the dystopian sci-fi Pandorum (2009), The Elysium is a 60,000 passenger space ship/motel that’s 500 million miles from Earth. So much for remembering where you parked the car. Two astronauts awake from hyper-sleep (like regular sleep but with no noisy neighbors waking you) and discover they don’t know who they are or where they are, which accurately describes the morning after a Jager™ bender.

 Slowly their mind yarn begins to re-spool, and off one of ’em goes to find the ship’s nuclear reactor to power up the restrooms and such. What they find is that the indoor neighborhood is overrun by mutated versions of themselves. These creatures are pasty-white, slimy, super-strong, super fast, below-average hygiene, and addicted to survivor flesh. Several of those food types are discovered still keeping out of teeth’s length of the hungy mutants. And if that wasn’t enough, a condition known as Pandorum — a pronounced form of space insanity — is beginning to set in on Lt. Payton, the head astro guy.

The moon clock is ticking as the reactor is beginning its self-destruct phase. So, like, that lights yet another fire under everyone’s asteroids. Thankfully, there’s a grim twist to all of this as you kinda get bored watching people running away from the mutes, who all look like Road Warrior (1981) extras.

Lt. Payton is in the throes of Pandorum. The monsters are closing in. And the air stinks. (In space no one can hear you fart, but they can certainly smell it.) All of this sounds pretty cool, but for some reason it’s just a big “been-there-seen-that” meh.

Nice visuals, but I just wasn’t feeling the love from the mutants. You might be able to figure out the ending, but if not, don’t worry — it’s just a touch of Pandorum. Take two celestial Tylenol™ and call me in the new Millennium.

UFOs and Corduroy Sweaters

When three astronauts on a routine space shuttle mission deploy a satellite and it crashes into a UFO, there sure are a lot of red faces in outer spaces. (Heh.)

The resulting explosion sent shrapnel through one of the astronauts, cleanly severing his head/helmet. I don’t mean to disrespect our space program, but the image of the astronaut’s floating body and nearby spinning head was one of those LOL moments.

The UFO crashes to Earth where scientists try and figure out where the batteries go. The unsevered astronauts land the shuttle and take off in sweaters and corduroys to find the truth/crashed UFO. Trying to stop them is the evil branch of the C.I.A., who seem to have more expendable agents than satellites.

The scientists, though, are having more luck, having successfully transcribed alien language, only to find out Earth is targeted for an invasion. We’re safe – once they see our stylish sweaters and slick corduroys, they’ll think Earth is far more advanced, and head to some other drab planet.

Other than the clothes, the magnificently dull Hangar 18 (1980) should have spent less time on the chase scenes and more time on the spinning severed head.