Rechargeable Aliens

The found footage “movie” The Phoenix Tapes ’97 is YET ANOTHER attempt to cash in on the REAL EVENT of UFOs buzzing the Arizona night skies back March 13, 1997. It was on the news, so it had to be real.

Four smelly guys pile into an RV and go on a man date in the Arizona desert, filming every tedious dialogue interchange along the way. During the night, loud explosion-y booms are heard and meteors are seen crashing into the desert mountains. [Spoiler: this was the ONLY cool thing about the movie.]

Daylight brings more questions, like how to air out the RV and where is one of the dudes. And what the heck was shaking the RV at night and making stomping noises on the roof? I’m thinkin’ pranking frat brothers, but likely it was extraterrestrials. Kinda the same thing when you think about it.

As they argue like whiny b*tches and abandon the stalled RV and wander back towards civilization (they weren’t that far off; you can hear a dog barking in someone’s back yard), they see those famous patterned lights in the sky and go WTF?!?

One by one, each gets drug off into the night with the video camera still running. You sorta kinda maybe get a glimpse of the aliens, whose legs appear to be riddled with arthritis. But my issue is with the camera. That thing kept running (with night vision) long after they four guys were slipped a date rape drug and probed. Video cameras back in 1997 could barely hold a charge and were notorious slow to recharge, which was not done the entire time. (So an RV battery conks out overnight, and a video camera battery lasts all through the abductions?) And to think I was gonna buy an RV.

I believe in UFOs. I do not believe in 1997 video cameras. So there.

Ghost Dimension

Just about gave up on the Paranormal Activity franchise after Paranormal Activity 4 (2012) aimed straight at ‘tweeners, and the ill-advised/painfully clumsy spin-off, Paranormal Activity: The Marked Ones (2014). But all the lingering questions from the series that bubbled to the surface of my clearly damaged thought process look to be answered with the release of Paranormal Activity: Ghost Dimension, releasing October 23, 2015 on – get this – Imax™ 3D, as well as all the other 115 formats only tech nerds care about.

In PA:GD (the final installment), a new family gets brought into the otherworldly mix, who move into a house and discover a video camera and a box of tapes in the garage. (Nope, not suburbia porno, unfortunately.) When said tapes are viewed, they begin to see the paranormal activity happening around them — including the re-emergence of young Kristi and Katie, the two little girls from Paranormal Activity 3 (2011) prequel, who hooked up with the invisible demon Toby (he’s mean) and started the whole supernatural familial curse thing hinted at in the first two flicks.

Toby better show himself in the new one. And I gotta know if anyone cleaned up the baby powder they sprinkled on the floor to see invisible demon footprints. While I’m on the subject, did anyone wash those sheets after some unseen thing yanked them off the bed and probably blew its nose in ’em like some paranormal hanky? And would it kill someone to properly dispose of all those bent in half bodies laying around? Talk about germ magnets.

There’s no reason a haunted house can’t be a clean haunted house.

Ghost Shark: Bites From Beyond

2013’s Ghost Shark is memorable for a number of reasons, sub-budget special effects/dialogue/acting notwithstanding. But first you have to ignore the plot, which gives Ghost Shark its rai·son d’ê·tre.

After being fed a hand grenade thrown from a fishing boat by redneck a-holes, Ghost Shark’s corpse floats into a half-submerged cave where early settlers performed satanic rituals. (Okay, what?) It is here Dead Shark is converted into a glowing, transparent kill-beast able to trans-morph out of any body of water, be it a fire hydrant, bath tub, swimming pool, mud puddle and even a bottled water drinking fountain. And this is exactly what makes Ghost Shark’s 84 minutes of dumbassery entertaining.

GS crashes a pool party and devours teenagers. GS opens wide and swallows little kids on a Slip ’n Slide™, an unsuspecting youngster shooting down the shark’s throat as if a human oyster on the half shell. A mayor’s assistant pouring himself a cool and refreshing paper cup of thirst quenching death after GS leaves the bottled water container and is delivered to the assistant’s insides, where it splits the guy in half during the chewing out. (This scene alone is worth an Academy Award.)

Time wasters until Ghost Shark straps on the feedbag: a drunk lighthouse keeper, savaged by guilt for killing his wife in said satanic cave years ago who seeks revenge on GS. Not sure how that works. The smack-talking mayor going on a Jaws-driven balance-of-justice boat ride. (His crunchy death – being sucked down a watery toilet – as a true feel-good moment.) Tthen there’s the never-ending parade of young girls in bikinis and a really, really fat guy riding a jet ski that looked like it might get permanently lodged into FG’s ass crack on the next wave.

Back to the bikinis: Most horror films feature young gals in their 20s, probably still in community college or of X-rated movie age. Not so with Ghost Shark; The girls running around in kite string swimsuits are barely (heh) in high school. I felt somewhat dirty watching Ghost Shark make fish bait out of jail bait. I would’ve showered my shame away afterward, but hey – Ghost Shark possibly coming through the nozzle.

P.S. Ghost Shark 2: Urban Jaws (pending 2015) is not a sequel or related to Ghost Shark. It’s an indie movie (i.e., made with two New Zealand guys and a Best Buy™ video camera) that was supposed to have come out in 2010. Time to put down the Foster’s mates, and show us some of your Down Under horror. Okay, that didn’t come out right.

Aliens and Werewolves

Some new horror offerings, in case your daily recommended allowance of horror has not been met by watching the evening news.

First up is Area 51, in production since 2009 and just now hitting VOD and is YET ANOTHER one of those flippin’ annoying hand-held camera jobs. In this Area 51 (not to be confused with 2011’s Area 51 Confidential), as a class project several conspiracy theorists break into the legendary military base out in the Nevada desert said to house a junk yard of broken down UFOs and even an alien body or two. Or six.

Here’s the official rundown: “In 2009, three friends travel to the infamous Area 51 in order to uncover its secrets. They infiltrate the base using freon filled body suits in order to mask their body temperature. Once inside, the group discovers incredible technologies before finding themselves running for their lives from an unknown force.”

The “unknown force” probably has more to do with farting inside their body suits and not being able to escape the ensuing terror. AVClub.com’s review, though, says it all about Area 51: “A few fun and creepy effects shots, nothing that happens here couldn’t be surmised from simply reading the film’s title. What we really get is a complete failure of imagination.” Ouch.

If probing for government secrets or being probed by aliens isn’t your cup of beer, then you might be up for Uncaged (2015), a new werewolf movie that mixes found footage with trad-style filming.

Plot: “After several nights of waking up in the woods, a troubled teen straps a camera to himself to document how he’s getting there, only to find some things are better left a mystery.”

So a teen wolf doing selfies. I’m intrigued, though a werewolf running around with a GoPro™ strapped to his fuzzy head seems highly improbable. With all that wolfing around, you’d think the camera would fall off.

“Something’s lookin’ for food – and it found us…” Great line in Dark Was The Night, arriving in theaters on July 24, 2015. An ancient curse, a small town out in the trees, and stat worthy body counts.

Synopsis: “Maiden Woods is a remote and quiet town of decent, hard-working people, but something stirs in the dark woods surrounding this isolated community. After a logging company decimates an area of the forest, a rash of increasingly violent and unexplainable events transpires. Sheriff Paul Shields and his deputy struggle to confront their own personal demons while facing down a new breed of raw terror that is possibly older than humanity itself…and much hungrier.”

Is the monster a werewolf? Bigfoot? A hillbilly with abundant facial hair? Probably all three. Better be if they want my movie coupons.

Bigfootage

Hunting The Legend – YET ANOTHER “found footage” horror movie. Hunting The Legend – YET ANOTHER “found footage” horror movie about Bigfoot. Both are so 1999. And yet anyone with a hand-held camera thinks doing movies like this makes them a filmmaker. If that’s the case, then I should be up for an Academy Award™ for my movie, Doing Stuff in the Neighbor’s Pool While They’re Gone (2013). Now there’s some found footage.

While Neighbor’s Pool was full of drama and twist-y plot turns (the garbage can submarine was pure genius), there’s nothing in the trailer for Hunting The Legend that doesn’t scream Blair Witch Project (1999) rip-off.

Case in point: “When Chris Copeland was a young boy, his father was abducted by the legendary Bigfoot when the two went on a hunting trip. Authorities gave up on the case, stating it was all caused by a wild boar. It’s now five years later and Chris has recruited the help of two friends and a hired film crew to take matters into their own hands and capture the truth of the mystery monster.”

And just to drive home my bitchy point, the broken-but-still-running video camera on Hunting The Legend’s movie poster rips-off Diary of the Dead (2007) and Area 407 (2012), two other found footage horror movies.

Found footage “filmmakers” should just leave the camera to me and an unattended swimming pool.