Legendary Lagoon, Medical Mayhem, Deathless Drink

Sad to report the passing of Ricou Browning (February 16, 1930 – February 28, 2023), better known as the creature in Creature from the Black Lagoon (1954, filmed in 3D), one of the greatest monsters and monster movies of all time. So much so, the Gill-Man joined the Universal Monster Hall of Fame alongside Frankenstein, Dracula, The Wolf Man and The Mummy. (The Invisible Man wasn’t included because he was nowhere to be found.) Rico reprised his fishy role by returning for the sequels Revenge of the Creature (1955) and The Creature Walks Among Us (1956). 

Playing the iconic Gill-Man was just one of Rico’s many water-enhanced talents. He created the 1963 TV series Flipper and directed 37 episodes, worked as a stunt man on 20,000 Leagues Under the Sea (1954), played all the bad guys in Sea Hunt (1958 – 1961), directed the harpoon-filled fight in the James Bond movie Thunderball (1965) and the Jaws-inspired candy bar-in-the-pool sequence in Caddyshack (1980). He was even a stand-in for Johnny Weissmuller on Tarzan films. Pretty much the coolest resume ever.

In a 2013 interview, Sir Browning talked about his role in Creature From The Black Lagoon: “I filmed my scenes in wintertime and it was pretty cold. The crew felt sorry for me, so somebody said, ‘How would you like a shot of brandy?’ I said, ‘Sure!’ Pretty soon they were dealing with a drunk creature.” Browning also said his legendary costume was cumbersome at first. ‘When I first put it on, it seemed awkward and clumsy. But once I got into the movie, I forgot I had it on. I became the creature.’”

While we go back and re-watch all the Creature movies and marvel at how Ricou could easily hold his breath for four minutes at a time, here are some upcoming horror/sci-fi movies/TV series that may or may not be as expertly directed as the candy-bar-in-the-pool scene in Caddyshack…

DEAD RINGERS / April 21, 2023 (Amazon Prime Video™)

“In this series, Rachel Weisz plays the dual roles of Elliot and Beverly Mantle, “twins who share everything: drugs, lovers, and an unapologetic desire to do whatever it takes — including pushing the boundaries of medical ethics — in an effort to challenge antiquated practices and bring women’s health care to the forefront.”

The original Dead Ringers came out in 1988, with the dual doc role being handled by Jeremy Irons, Batman’s butler in Justice League (2017/2021). Not sure why he gave up being a gynecologist with the best seat in the house to polish Batman’s batarang.

THE BURNED OVER DISTRICT / Release pending 2023 (VOD)

“A grieving man discovers that the seemingly quiet town is hiding a very terrifying secret. Now he must find a way to overcome his grief and fight back against the darkness that has consumed the town and its people.”

Wonder what the man could be grieving about? Maybe because the town shared its terrifying secret with everybody but him. If my town did that to me, I’d be griefing all over the place

DIVINITY Release pending 2023 (Theaters)

“Set in an otherworldly human existence where the creation of a groundbreaking immortality serum named Divinity is wreaking havoc. Jaxxon Pierce, the creator’s son, now controls and manufactures his father’s once-benevolent dream, and society on the barren planet has been entirely perverted by the supremacy of the drug. However, when two mysterious brothers arrive with a plan to abduct the mogul with the help of a seductive woman named Nikita, everyone will be set on a path hurtling toward true immortality.”

Divinity is a dumb name for an immortality serum. You’d get far more marketing zing if they named it Sir Lives-a-Lot or No Time To Die or Deathus Interruptus or To Be Continued or…

POV / Release pending 2023 (VOD)

“A suburban couple attempt to survive a home invasion on the most dangerous night of the year.”

If your home is being invaded, doesn’t that qualify as the most dangerous night of the year? A possible exception might be if you lived at the foot of an annually erupting volcano filled with lava bees. Or Christmas.

A London Werewolf in London

“Lawrence, you’ve been a very bad boy…” 

The understatement of the century. And it accurately frames the 2010 re-boot of Universal’s least-groomed monster, The Wolfman.

After tearing up the 1891 countryside and all of its inhabitants like sale-priced steak tartar, Lawrence Talbot, actor and marauding werewolf, should probably be sent to his room. Or the dungeon, at the very least. And the drag of it is, it’s not Larry’s fault. He was only in town to attend his brother’s funeral and to find out who — or what — killed him. 

The locals think he was dispatched by the dancing bear the gypsies keep tied up at their camp out in the werewolf-infested woods. (In all fairness, the clues do point to a criminal bear, dance floor skills notwithstanding.) During a full moon raid on the camp, the police are overwhelmed by something whizzing by and opening the Christmas presents that are human torsos, limbs, and heads. Larry pursues, only to be mortally wounded by the beast. Whew — the bear finally has a corroborated alibi!

Larry’s healing powers are remarkable. Sir John, his dad, encourages Larry to let the “inner beast run wild.” (In those days, that meant eating people, not zooming around without underwear.) After a particularly robust night out on the moors removing heads, arms, and those icky wiggly organs, the cops show up the next day and arrest Larry, taking him to Lamberth Mental Care Health Facility (“asylum” for short), where he was once interred as a kid for treatment for social problems after seeing his mother die before his eyes. Yes, this is a clue to his current status.

Larry the Wolf gets loose in London and has a few hours to kill before calling it a night. He doesn’t waste time wasting people; you’d think there was a raw meat parade in town by the way he chews up the sights.

Gwen Conliffe, Larry’s dead brother’s fiancé, becomes hip to the chili con carnage and thinks she can help Larry. Don’t girls know anything? Love isn’t the answer  — heavy artillery is.

The final sequence is a real tail-puller, with Larry coming to grips with his disease and getting into one last dogfight before… C’mon, you knew how this was gonna end. Or did you? They wisely left the pet door open for a sequel that sadly never happened. Otherwise, a good time was had by all. Up to, and including the dancing bear. 

Dinosaur Food, Multi-Headed Sharks, Post-Apocalyptic Criminals

Gotta hand it to film marketers — Universal™ teamed up with Kellogg Co.™ (the folks behind such nutritiously sugarized cereal like Honey Smacks™,  Kellogg’s Smorz™ and Kream Krunch™) to cross promote Jurassic World: Fallen Kingdom (June 22, 2019) by putting a dinosaur on the box cover as well as (here comes the genius part) an embedded digital screen that offers Jurassic fans an exclusive five-minute compilation of behind-the-scenes footage from the making of the movie. 

From the press release: “The collector’s editions of the Jurassic World: Fallen Kingdom packages will cost $24.99 each (plus shipping). Quantities are very, very limited: Kellogg has produced a total of only 200 boxes. The Kellogg’s packages with the embedded digital screens and Jurassic World-themed packaging are available for purchase on Amazon.com.”

“The videos in the embedded digital player will include clips showing how the filmmakers brought the Jurassic World dinosaurs to life and how they used a roller coaster to capture the actors’ reactions when they’re in the Jurassic World gyrosphere. The special packages have a 7-inch screen with 1024-by-600 resolution. The special Frosted Flakes™ package features Blue, the intelligent female velociraptor from the new movie, while the Keebler Fudge Stripes™ box showcases a T-rex.”

That is so cool, I can’t even think of a better word to describe it, except that the Keebler™ box isn’t the only thing that’ll end up with a fudge stripe on it. So while I go in search of the cereal (it should come with Jurassic World moist towelette coupons), here are a few upcoming horror/sci-fi movies that, like a T-rex, may or may not be your first choice for first meal of the day…

THE DOMESTICS (June 28, 2018)
“A post-apocalyptic world is inhabited by murderous gangs divided into deadly factions. Characters race desperately across the lawless countryside in search of safety.”

Sounds like my weekly grocery run. And why is it murderous gangs are always the ones running the post-apocalyptic world? What happened to all the bartenders?

6-HEADED SHARK ATTACK (August 28, 2018)
“Attendees of a marriage boot camp on a remote island have to fight a six-headed shark that attacks the beach.”

If you’re attending a marriage boot camp, then you deserve to get chewed out by a six-headed shark. Hate to be the one who cleans up after its meals, though; I’d need a front-loader.

MEGALODON (August 31, 2018)
“A military vessel is on the search for an unidentified submersible and comes face to face with the massive shark known as Megalodon.”

One guess as to who is ripping off The Meg (August 10, 2018) to ride its box office wave. The film studio name rhymes with “Ass I Am.”

BOARDING SCHOOL (August 31, 2018)
“When troubled 12-year-old Jacob Felsen is sent away to boarding school, he enters every kid’s worst nightmare: A creepy old mansion, deserted except for six other teenage misfits and two menacing and mysterious teachers. As events become increasingly horrific, Jacob must conquer his fears to find the strength to survive.”

Used to be running willy nilly through a creepy, deserted mansion would be the stuff of dreams to a 12-year-old kid. Nowadays, if there isn’t a wi-fi connection, a kid isn’t gonna give you the time of day. No apps for giving a f*ck, I suppose.

Steel Monsters, Dying As Art, Hell Boys & Girls

I’ve come to the unassailable conclusion that laying on the couch (in any direction) should be recognized as a form of exercise. And like working out, are you not tired after seven hours of laying there watching monster movies? Same as exercise. I rest my case.

Speaking of things that are lazy, here are a few upcoming horror and sci-fi movies (or “films”) that may or may not had  some sort of effort put into with the title or the plot…

HANK BOYD IS DEAD (June 27, 2017)
“Struggling actress/caterer Sarah Walsh is left alone to tend to the post-funeral gathering for Hank Boyd, a quiet loner who stood accused of a horrific crime. She knew Hank in high school and finds it hard to believe that he could do anything terrible. However, her opinion begins to change after she meets Hank’s brother David as the family’s secrets are exposed and the bodies pile up. If she hopes to survive and all because…Hank Boyd is dead.”

Sounds more like a CW™ mini series than a movie. Boring title, which indicates “meh” across the board. And before you start e-yelling at me for prejudging, I have watched “horror” movies almost exactly like this for years and decided to move on to more entertaining ventures, like street corner begging and dumpster diving.

UNIVERSAL CLASSIC MONSTERS (September 12, 2017/Best Buy)
“Seven classic Universal™ monster movies are getting the steelbook treatment, each featuring stunning black & white art by Alex Ross. The following films will be part of the collection: The Wolf Man (1941), The Invisible Man (1933), Creature from the Black Lagoon (1954), The Mummy (1932), Dracula (1931), Bride of Frankenstein (1935) and Frankenstein (1931).

Gotta hand it to Universal for finding new ways to re-package the same seven monster movies they built their empire on nearly 90 years ago. This time they’re putting the classic horror movies in steel boxes, not unlike what you would put a peanut butter sandwich in to nosh on during recess.

This is not a new concept; World Market™, purveyors of over-priced wicker couches, has been selling Frankenstein and Bride of Frankenstein metal hors devours trays every Halloween for years. I have the whole set. Still don’t know what “hors devours” are (sounds like a cannibal hooker). But licensed and over-priced trays are handy to put snacks on. Not crackers, though; those dang things slide right off onto your shag carpet, where crumbs are nearly impossible to get out.

FLESH OF THE VOID ( 2017/2018)
“Flesh of the Void is an extreme experimental horror feature, visualizing what it could feel like if the act of dying was a truly horrible experience. Shot extensively on Super 8 and 16mm, it is intended as a disjointed, surreal trip through the deepest and most violent fears of the human condition, depicting its subject in a radical, grotesque and raw manner, refusing to shy away from societal taboos.”

Pfffft — I go through the act of dying every time the bartender yells, “Last call!” Do like the premise, though, as I pretty much assumed kicking the bucket was a black (or white) affair. Black is where you go if you have unresolved anti-Bible skeletons in your closet. Or some ratty farm with Black Phillip landlording the place. I have no reference to the white end game. Maybe a Seattle beach during one of the three days it actually sunshines up here and everybody comes out of their caves with nearly translucent and sickly skin.

HELLBOY: RISE OF THE BLOOD QUEEN (in production/2018)
“This franchise reboot is reportedly aiming for an R-rating and a horror movie style. In the Hellboy comics, the ‘Queen of Blood’ is a powerful British witch, also known as The Lady of the Lake.”

Lady of the Lake. Wasn’t that the name of a tepid M. Night Shyamalan movie back in 2006? And wasn’t in a condo swimming pool as opposed to a lake? I would’ve changed the movie’s title, too; Lady in the Swimming Pool just doesn’t have enough zing. But I digress — happy to see Hellboy being re-booted. Now if they could just do the same thing with Plastic Man…