In the sci-fi classic The Thing (1982), a bunch of scientific guys and other bearded associates live in total man-land in a remote Antarctic sub-station. It’s here they conduct experiments on snow and what happens when warm yellow liquid is introduced to the frozen crystals.
A Norwegian science team nearby flies overhead in their helicopter and shoots at a fleeing dog. They miss, copter goes boom, snow melts. Investigating, our guys fly over to their ice pad and see the place has been trashed as if the aftermath of an Aqauvit™ hot tub party.
They take back video tapes, which may hold clues as to why they weren’t invited to the shindig. The footage — kinda like the Blair Snowbitch Project — reveals the Norwegians found a freakin’ huge UFO buried under the snow and partially excavated it. They also find a frozen body of some sort and haul it back to their science hut to study. But the darn thing is still alive — and it’s in that dog, too.
From this point on the invader assimilates itself into a “host,” becoming that person and starts spreading its disease. One science face figures it out and smashes all the radios and helicopters. The others don’t like him for doing that. But he had to — the rate of infection is exponential — and calculated the bad news should the entity make it back to the States.
When the alien does its body swap it has to cook for a while. The in-between stages look like zombie Jell-O™ recipes gone bad: slippery guts, goopy brains, rapidly wiggling tentacles from here to there…
The part where everyone is tied up by the ultra cool Snake Plisskin (uh, I mean, Kurt Russell — same dif) and their blood tested to see who’s what they are and aren’t, is one of horror/sci-fi’s all-time best sequences.
When a head extricates itself from its host body and sprouts spider legs and shoots tentacles out of its mouth, you’ll be melting a lot of snow. With no way to escape, the team is systematically f’d.
The intensity and special effects of this remake (Howard Hawk’s 1951, The Thing From Another World) raised the bar so high, it took years for other movies of this ilk to even start being cool again. And this was in 1982! So in conclusion, if you watch this movie and don’t 100 percent agree with me, you’re WRONG.
