Photographic Jaws, Mixtape Monsters, Gator Aid

No question the poster for Jaws (1975) is one of the most iconic pieces of movie art of all time. Illustrated by Roger Kastel, the art has been turned into everything from book covers and board games, to countless parodies and baby blankets. And thanks to British filmmaker/cage diver Euan Rannachan, we now get to see the Jaws poster come to life, featuring his uncanny photo of a real shark swimming Jaws-style towards some soon-to-be happy meal.

As first reported by the Daily Mail, Euan took the one-in-a-million pic off the coast of Mexico. Here’s what he had to say about that: “The shark in my image is a female and her name is Squirrel. We’d been with her for a while. We have these people on the boat called shark wranglers and they throw these two-foot chunks of tuna to get the shark close to the surface,” Rannachan told the site, explaining how he got the perfect photograph of the seventeen-foot shark. A guy named Crazy Luis stood up on the boat to bring the shark to us as we sat on the surface in the shark cage.”

Crazy Luis seems like someone you’d want to fiesta with. And while we spitball alternative names for a shark other than Squirrel (?!?), here are a few upcoming horror/sci-fi movies that may or may not be improved by adding two-foot chunks of tuna to ’em…

STARFISH (May 28, 2019)
When a mysterious signal from an unknown dimension summons the end of days, it appears as if only Aubrey is left on earth. Trapped in the apartment of her recently deceased best friend, the only clue she has is a single cassette left behind after her friend’s death, labeled: “THIS MIXTAPE WILL SAVE THE WORLD.” Thrust into a mystery orchestrated by her friend and stricken with grief, Aubrey begins to piece the clues together, uncovering a series of tapes all with pieces of the mystery signal. Along the way, progress is impeded when monstrous creatures begin to overrun the world and enclose in on her. Aubrey is forced to fight off the encroaching creatures and move beyond her own crippling grief in order to find the remaining tapes. But will completing The Signal save the world?”

Wonder if the mixtape has R.E.M.’s “It’s the End of The World” on it? That’d be pretty funny if it did. So Aubrey is the last gal standing, facing off against giant monsters. As apocalyptic scenarios go, that’s not too shabby, even if it does “borrow” from The Last Man On Earth (1964), The Omega Man (1971) and I Am Legend (2007). Lesser so with The Last Woman on Earth (1960), which had two dudes fighting over her and all the shoe stores in the world open 24 hours a day.

HALLOWED GROUND (June 11, 2019)
“A married couple, trying to rebuild their relationship after an affair, travels to a secluded cabin and stumbles into a blood feud between the Native American owners of the property and the neighboring clan, who obsessively guard their land and punish those who trespass on it in terrifying ways.”

About time Native Americans gave the business end of the tomahawk to those Republicans. I bet one of the terrifying ways to punish them would be to put ‘em in a teepee to reflect on their shameful behavior. Probably wouldn’t be able to make sit in a corner because, hey, teepees are round, man. I totally looked it up.

CRAWL (July 12, 2019)
“When a massive hurricane hits her Florida hometown, Haley ignores evacuation orders to search for her missing father. Finding him gravely injured in the crawl space of their family home, the two become trapped by quickly encroaching floodwaters. As time runs out to escape the strengthening storm, Haley and her father discover that the rising water level is the least of their fears.”

Even though it takes the premise of Bait 3D (2012), it’s no spoiler that crocodiles and/or alligators end up in flooded houses and/or condos. The trailer for this one is insane cool, with many hungry reptiles showing up for this buffet, which has a lot of screaming deals. Heh.

DEATHCEMBER (2019)
“Coming soon, the holiday horror anthology Deathcember will open 24 doors to Hell for ‘the ultimate advent horror anthology movie.’ The anthology will feature 24 shorts by 24 directors from around the globe, each one taking a look at the dark side of the festive season. In “A Christmas Miracle,” a grieving mother who suffered a stillbirth is spending Christmas alone, when she is visited by an apparition that promises to bring her child back to life — but at what cost?”

Cool — hope they do a poster for all the segments; I need new wallpaper. Deathcember is even more cool than you think — the film crew was/is made up of almost entirely women. Women can be just as scary as men. Just ask any divorced dude.

Undead Tribute, Get To Know Bigfoot, Death Personified

As hardcore The Walking Dead fans have burned into their iCalendars™, the 100th episode — and season eight AMC™ opener — happens on Sunday, October 22, 20017. (And you thought the total eclipse was worth watching.)

To celebrate/commemorate, TWD episode director/ makeup effects master Greg Nicotero teamed up with his insanity talented KNB FX design team to whip up some tasty tribute posters, all in the style of one of the coolest horror shows ever on TV. Included with the above slick tribute to Alien is zombie/star character homages to Back to the Future, The Thing, Thunderball and The Omega Man. Pretty swear word cool. (You can find them all by following Greg on Instagram™.)

As the countdown to The Walking Dead marches on, here are a few just released/upcoming horror/sci-fi movies that probably stole their ideas from all of the above…

ZOMBIES (available now/VOD/Limited – October 31, 2017/DVD)
“When the world is in shambles, plagued by a zombie outbreak, only the strong will survive, but just how much determination will it take? Will Luke and his crew have enough ambition and ammunition to outlive the undead?”

The title and plot should tell you how high they set the bar for themselves. This is so stock, it should be sold in grocery stores next to canned soup and frozen TV dinners.

DEATH ON SCENIC DRIVE (September 30, 3017/Hard Line Film Festival/Germany)
“During the cold winter months at a secluded countryside home, a young woman named Larissa encounters an entity that transforms her into Death itself. She reins violence against Dallas Henson and the family that resides there.”

Not sure why this one is being premiered in Germany when it’s Canadian-made. Bloody-Disgusting.com says Death On Scenic Drive is a “Gothic filled with gore, madness, weirdness, satanism and screeching, squelching music.” Sounds just like my upstairs neighbors on any given week night.

DISCOVERING BIGFOOT (October 27, 2017/VOD/Limited)
“What we think we know of human origins and evolution is about to change forever as we discover the truth about a species that has remained elusive by outwitting and evading modern man for decades despite his best efforts. Journey into the heart of Sasquatch Country and experience three incredible days in the field with Bigfoot experts. This unprecedented feature film includes extraordinary never before seen Sasquatch footage that will shock the world. Witness a terrifying altercation between Sasquatch Researcher Todd Standing and three Sasquatch creatures in the wild.”

The trailer for this documentary purports to show “indisputable” photographic/video evidence of Bigfoot, and even go so far as to include a few snippets of said proof. I’m convinced — and you’re talkin’ to a guy who stands in line at the Puyallup Fair to get an autograph and a picture with a guy in a Bigfoot suit handing out hot tub clearance sale flyers. Say what you will about the mythical wood ape — that guy can sell ice cubes to an eskimo.

THE PURGE: ISLAND (July 4, 2018)
“The Purge: Island is a prequel that will focus on the events that lead up to the very first Purge event, an experimental test on Staten Island.”

Cool, but I can’t wait for The Purge: Outer Space. In that one we get carte blanche to go all probe-y on those invasive aliens. They won’t know what violated their swimsuit/spacesuit area. Payback’s a b*tch, space b*tches — ha!

Renamed Aliens, Social Evil, Fresh Beats

Recently had a conversation with my dumpster diving associate behind the Squeezie Mart about the state of horror and sci-fi movies. His position: “Technological advances in the visual arts have broken through the limitations of horror filmmaking, thereby pushing the medium into new territories…” Then he peed his pants to emphasize his point. My thought is I don’t care; I just wanna see things go squish on the big screen.

Anyway, here’s what’s new horror/sci-fi is coming up to make your bladder splatter. Presumably not in public.

ALIEN: COVENANT (May 19, 2017)
“Alien: Covenant begins with the colony ship Covenant bound for a remote planet on the far side of the galaxy. The crew discovers what they think is an uncharted paradise, but is actually a dark, dangerous world, whose sole inhabitant is the ‘synthetic’ David, survivor of the doomed Prometheus expedition.”

Back in time — September 24, 2015, to be exact — I blogged that the next sequel in the Alien franchise was gonna be called Prometheus 2. That was the opposite of correct. Then I reported the movie was being retitled to Alien: Paradise Lost. Strike two. Now I find out it’ll be called Alien: Covenant. Not gonna say a word, other than I bet my life savings they’ll change the title again to make me look like a cred-less boob.

THE DEVIL LIVES HERE (December 13, 2016)
Three friends — Ale, Magu and Jorge — go on a trip to visit their friend Apolo at his family’s farm for a weekend of fun. At the same time, Sebastião and his younger brother Luciano are getting ready to perform the spiritual ritual their family has been tasked with every nine months, for centuries. On the night the two groups meet, they find out that what they thought were scary tales becomes more than real. It is now up to them to prevent evil to be born and take over the world.”

Spiritual ritual. That rhymes somehow. No doubt someone could turn rhymes into a rap song. Not me. No fan of rap here — or kids performing spiritual rituals. But hey, it should be fun to watch ‘em try and keep evil from being born and taking over the world, and then rapping about it against a backdrop of fresh beats.

HOSTILE (2017)
“After a worldwide epidemic, most of the planet’s population is killed. Only a few thousand have survived and are struggling to find food and shelter. But they’re not alone: they have to hide from strange creatures that go hunting at night.”

Liked this better when it was called The Last Man on Earth (1964), The Omega Man (1971), and I Am Legend (2007).

FRIEND REQUEST (available now UK) / releasing 2017 / US)
“Laura is one of the most popular girls in her high school, seemingly adored by all. She is then sent a Facebook™ friend request by lonely Marina. Having initially accepted, Laura finds herself being obsessively pursued by Marina and not long afterwards hits the ‘unfriend’ button. When Marina apparently commits suicide in an online video, Laura’s life takes a turn for the terrifying, and she becomes the victim of a supernatural presence, attacked in her own home by a mysterious force. Is Marina responsible? And why does she refuse to disappear from Laura’s friend list, even as it increasingly diminishes in number?”

They forgot a question: who cares? Pointless social media horror has been around for a while. Not sure why; with its limited premise — do we need YET ANOTHER one? [Moviepilot.com lists Megan is Missing/2011, Smiley/2012), Antisocial/2013, The Den/2014, #Horror/2015, Unfriended/2015, and Ratter/2016, as “top” examples. They are wrong — all of ’em suck, because I’m older than social media and I can say things like that.]

Sorry, kids, but you can take your social media and cram it down your Facebook™. Back in my day our social media was the telephone — and we used it to call forth horror, i.e., 976-Evil (1988). Crank called satan all the time, we did. No fancy pants digital screen tapping, just pure finger-in-the-hole, rotary dialin’ horror.