Legendary Lagoon, Medical Mayhem, Deathless Drink

Sad to report the passing of Ricou Browning (February 16, 1930 – February 28, 2023), better known as the creature in Creature from the Black Lagoon (1954, filmed in 3D), one of the greatest monsters and monster movies of all time. So much so, the Gill-Man joined the Universal Monster Hall of Fame alongside Frankenstein, Dracula, The Wolf Man and The Mummy. (The Invisible Man wasn’t included because he was nowhere to be found.) Rico reprised his fishy role by returning for the sequels Revenge of the Creature (1955) and The Creature Walks Among Us (1956). 

Playing the iconic Gill-Man was just one of Rico’s many water-enhanced talents. He created the 1963 TV series Flipper and directed 37 episodes, worked as a stunt man on 20,000 Leagues Under the Sea (1954), played all the bad guys in Sea Hunt (1958 – 1961), directed the harpoon-filled fight in the James Bond movie Thunderball (1965) and the Jaws-inspired candy bar-in-the-pool sequence in Caddyshack (1980). He was even a stand-in for Johnny Weissmuller on Tarzan films. Pretty much the coolest resume ever.

In a 2013 interview, Sir Browning talked about his role in Creature From The Black Lagoon: “I filmed my scenes in wintertime and it was pretty cold. The crew felt sorry for me, so somebody said, ‘How would you like a shot of brandy?’ I said, ‘Sure!’ Pretty soon they were dealing with a drunk creature.” Browning also said his legendary costume was cumbersome at first. ‘When I first put it on, it seemed awkward and clumsy. But once I got into the movie, I forgot I had it on. I became the creature.’”

While we go back and re-watch all the Creature movies and marvel at how Ricou could easily hold his breath for four minutes at a time, here are some upcoming horror/sci-fi movies/TV series that may or may not be as expertly directed as the candy-bar-in-the-pool scene in Caddyshack…

DEAD RINGERS / April 21, 2023 (Amazon Prime Video™)

“In this series, Rachel Weisz plays the dual roles of Elliot and Beverly Mantle, “twins who share everything: drugs, lovers, and an unapologetic desire to do whatever it takes — including pushing the boundaries of medical ethics — in an effort to challenge antiquated practices and bring women’s health care to the forefront.”

The original Dead Ringers came out in 1988, with the dual doc role being handled by Jeremy Irons, Batman’s butler in Justice League (2017/2021). Not sure why he gave up being a gynecologist with the best seat in the house to polish Batman’s batarang.

THE BURNED OVER DISTRICT / Release pending 2023 (VOD)

“A grieving man discovers that the seemingly quiet town is hiding a very terrifying secret. Now he must find a way to overcome his grief and fight back against the darkness that has consumed the town and its people.”

Wonder what the man could be grieving about? Maybe because the town shared its terrifying secret with everybody but him. If my town did that to me, I’d be griefing all over the place

DIVINITY Release pending 2023 (Theaters)

“Set in an otherworldly human existence where the creation of a groundbreaking immortality serum named Divinity is wreaking havoc. Jaxxon Pierce, the creator’s son, now controls and manufactures his father’s once-benevolent dream, and society on the barren planet has been entirely perverted by the supremacy of the drug. However, when two mysterious brothers arrive with a plan to abduct the mogul with the help of a seductive woman named Nikita, everyone will be set on a path hurtling toward true immortality.”

Divinity is a dumb name for an immortality serum. You’d get far more marketing zing if they named it Sir Lives-a-Lot or No Time To Die or Deathus Interruptus or To Be Continued or…

POV / Release pending 2023 (VOD)

“A suburban couple attempt to survive a home invasion on the most dangerous night of the year.”

If your home is being invaded, doesn’t that qualify as the most dangerous night of the year? A possible exception might be if you lived at the foot of an annually erupting volcano filled with lava bees. Or Christmas.

Enlarged Crocogator

There’s several things should know about 1979’s Italian-made The Great Alligator. First is that the alligator, while not quite great, is actually a crocodile. Secondly, the movie has been released by many nom de plumes, like Il fiume del grande caimano, Alligators, Caiman, Big Alligator River and The Big Caimano River. And third, the great CROCODILE has more body count credits to its resume than just about any other oversized marauding reptile this side of Godzilla. 

So stop me if you’ve heard this before: a rich entrepreneur is opening a tourist resort on a river-fed African lagoon. The subsequent tourists p*ss off the neighboring low-tech Kuma tribe that dresses up in leaves and backward, bamboo alligator head masks, and worships the island’s big boy croc that makes them consistently stain their leaves. A nighttime booze cruise with the tourists on Tarzan’s Raft (not making that up) and a relentless attack by “The Great God Kruna,” aka the title character. This “all you can eat buffet” has a quickly escalating scorecard: Croc: 46, tourists: zero.

A photo journalist and a supermodel (later kidnapped and tied to a bamboo barge as a sacrifice to Kruna) try to warn everyone, etc. No one listens until they become Cheese-Nips™ for the crocodile. (When he bites you underwater, you can hear the crunching sounds. That’s oddly satisfying.)

A missionary, who years earlier came to the island to force his religious beliefs on those godless natives, lives in a cave, fearful of leaving should he end up meeting their god instead. Beyond that, the ensuing  tourist slaughter rodeo is impressive if the plot is not: the tribe attacks the surviving tourists jumping off the flaming Tarzan Raft booze cruise and as yet not taken out of the win column by the crocodile. Bodies are shot with flaming arrows and spears, hung, stabbed, and pretty much made unable to get a vacation refund.

A bridge collapses. A van turns into a submarine. More regional burning arrows. Some dynamite, a wide open croc yap and a big ka-BOOM later, and it’s gator burgers for tonight’s luau. In all, despite the cheesy effects, The Great Alligator is a laughable, dubbed waste of time.

Turkish Dracula

1953’s Drakula İstanbul’da — painstakingly translated to Dracula in Istanbul, paints the Prince of Darkness in humorless hues. (Actually, the movie is in black and white, but Dracula was/is a pretty colorful guy.) This Turkish Dracula is balding, has crayon tip fangs pointing opposite directions, and is only interested in real estate deals and juicing your neck.

Drakula İstanbul’da is a re-vamping (heh) of the 1928 novel Kazıklı Voyvoda (Impaler Voivode). And that book was a near photocopied translation of Bram Stoker’s novel that brought Dracula into the mainstream. Only difference is the Mina character is a stripper (um, I mean “showgirl”) and Dracula boot lick Renfield is nowhere to be found. (He’s probably in some basement eating the life force of bugs.)

Drakula is hungry and his feeding techniques look more like he’s leaning in to tell you a bawdy joke rather than a perforation. His target is two young ladies, one of whom has a mysterious secret: sleepwalking. Scary, but assured it’ll go away once she’s married. (Heard that doesn’t work with uncontrollable flatulence.)

Drakula is hunted down in a long and boring process (the only chills would be if you watched this in the Antarctica with the windows open), and dispatched with a medium rare stake through the heart as applied with a rock. Time to take down the anti-Drakula decorations — all garlic must go. “But I use it to cook with,” says Mina, who protests she won’t be able to make her eggplant recipe without it. (No person in their right mind would eat that crap anyway, so better to just move on to mac ’n cheese and give up this eggplant madness and schemes.)

Dracula isn’t the only intellectual property grave Istanbul has robbed. Superman, Flash Gordon, Zorro, Captain America, Batman, Tarzan, Satan and Spider-Man (as a green-suited criminal) have all been given a Turkish bath, and look like they were dressed in clothes their moms made them. Final note: You haven’t any idea of what Istanbul is all about until you’ve seen Turkish Batman cavort with ladies of burlesque.

P.S. For some prime hardcore Turkish horror action, check out Baskin (2015), wherein four cops enter the foyer of Hell when they happen upon a Black Mass in an abandoned building. Hope you have a strong stomach. Otherwise it’s recycled eggplant time.

Balding Sasquatch

The problem with movies about Bigfoot is that the monster always looks really dumb. The Sasquatch in the Jack Links Beef Jerky™ TV commercials looks way cooler than those used in low-rent films such as Clawed: The legend of Sasquatch (2005). Why not borrow the Jack Links™ Bigfoot and use him to rip people apart like beef jerky?

A bunch (four) of drunk, redneck poachers are attacked in the woods by Sasquatch, three of which get their guts ripped out. The surviving redneck (played by Miles O’Keeffe, that poser Tarzan in 1981), is p*ssed his friends are no longer around to drink beers with and to go four-wheelin’ and a’shootin’. So he rounds up three more redneck replacements to hunt down the “bear” that performed open-heart surgery on his bestest buddies.

Four high school students go camping in the very same woods on a homework assignment. The local sheriff has his hands full trying to keep people out of the woods and take care of the “bear” problem in time for tourist season. An Indian deputy (played by that Indian guy in Ginger Snaps III) knows the problem isn’t a bear, but Taku He (pronounced “talk-oooh-hey”), the mythical creature foretold in his culture’s instruction manual.

The racist rednecks don’t like the Indian and plan on shooting him and making it look like a hunting accident – right after that next case of beer. That they pass the time lighting their farts around a campfire means they’re just waiting for the right moment.

The students, though, are unknowingly caught in the middle, with Sasquatch throwing rocks (or “mountain stones”) at their tents to get them to leave so he can mangle the redneck’s red necks. When Sasquatch does appear, he looks like Trog’s uncle and is sporting a receding hairline. This is unusual as male pattern baldness is rare among missing links.

Building to a tedious climax, Sasquatch spares the kids, the deputy survives being shot, the rednecks all die, and the local news station airs the footage of Sasquatch taken by one of the students. Everyone thinks it’s a hoax. But WE know the truth – it was a bear dressed up as Sasquatch. Really, it’s the only logical explanation.