Diva Sharks, Amateur Killers, Possessed Cab Passengers

In advance of the upcoming giant shark movie, The Meg (August 10, 2018), comes a mouthful off Jaws 2 (1978) behind-the-scenes pics that gives shark fans a glimpse behind the bubbles.

In this scene we see “Bruce Two” (the shark, named after director Stephen Spielberg’s lawyer) heavily emoting during the money shot of burning to death after chomping on an underwater electric cable…

In this photo, we see Bruce Two finding his marks and getting ready for his close-ups….

And in this shot, we see Bruce Two getting his makeup touched up in-between human-eating scenes…

While we all wish we looked as good in shark attack selfies, here are a few upcoming horror/sci-fi dramas/comedies to take your mind off the fact that you’ll never be as photogenic as a shark…

THE HAPPYTIME MURDERS (2018)
“Set in the underbelly of Los Angeles, puppets and humans coexist. Two clashing detectives, one human and one puppet, are forced to work together to try and solve who is brutally murdering the former cast of The Happytime Gang, a beloved classic puppet show.”

A spin on Who Framed Roger Rabbit (1988), wherein humans and cartoon characters coexist. Sounds like present day Congress.

HEAVY TRIP (aka, Hevi Reissu/October 12, 2018/VOD)
“Turo is stuck in a small village in the Finnish countryside where his greatest passion is being the lead vocalist for the amateur metal band Impaled Rektum. The only problem is that he and his fellow headbangers have practiced for 12 years without playing a single gig. But that’s all about to change when the guys meet the promoter of a huge heavy metal music festival in Norway and decide it’s now or never. Hitting the road in a stolen van with a corpse, a coffin, and a new drummer from a local mental hospital in tow, Impaled Rektum travels across Scandinavia to make their dreams a reality.”

I’ve come up with hundreds of heavy metal band names, but Impaled Rektum takes the crown. I bet my proctologist is the lead finger in this band.

KILLER KATE ( October 26, 2018)
“Estranged sisters Kate and Angie haven’t spoken since Angie went to college and left Kate to care for their ailing father. In a show of reconciliation, several years after moving out, Angie invites Kate to her bachelorette party held at a remote house booked on a home-sharing app. The women are unaware that by booking this house, they’re walking into a trap set in motion by a disturbed family of amateur killers.”

Hey disturbed family of AMATEUR killers — practice makes perfect. P.S. Don’t really go out and kill anyone to gain life experience.

LUZ (2018)
“Fleeing from the grasp of a possessed woman, a distressed cabdriver begins a confession in a rundown police station that endangers everyone who crosses her path.”

Um, aren’t most people who ride in cabs possessed in some way or another? I know I am. In fact, whenever I take a Lyft™ after stopping by favorite bar for seven hours, my head spins around, I spew a green vomit substance and I curse as though a somewhat clean crucifix was stuck in my fuzzy wuzzy. (Note to Lyft™ — If I promise to quit doing all of the above in your otherwise clean vehicles, can you lyft the ban?)

Wrecker: Tab-Expired Horror

It’s always painful to see Hollywood to run so dry of ideas that they shell out good pocket coupons to produce cheap/cheesy horror like Wrecker (releasing November 6, 2015): “Best friends Emily and Lesley go on a road trip to the desert. When Emily decides to get off the highway and take a ‘short cut,’ they become the target of a relentless and psychotic trucker who forces them to play a deadly game of cat and mouse.”

Not only is Wrecker NOT an original idea with a crappy title, who would pay to see a movie what you can see on a freeway any day of the week?

Wrecker’s plot is a direct lift from Stephen Spielberg’s Duel (1971), in which McCloud (or “Dennis Weaver”) is relentlessly pursued across dirty desert back roads by a 18-wheeler driven by a malevolent invisible trucker.

This was mimicked by Elliot Silverstein’s The Car in 1977, in which Amityville Horror’s James Brolin goes up against a possessed black car that “vroom-thump-thumps” anyone brave enough to use a crosswalk in Utah.

And picking up the pieces and running with that, who could forget Christine, the 1983 Stephen King horror movie that featured a “body by Chrysler, soul by Satan” ’58 Plymouth Fury that could return to showroom condition after being engulfed in flames and making griddle cakes out of thugs.

Then came Maximum Overdrive (another Stephen King adapted movie) in 1986 that not only turns a huge truck (with Spider-Man’s bestie the Green Goblin’s face on the front grill) into a “devastation wagon,” but anything mechanical that held a grudge against their human slave masters. (Can opener: “Take that, you opposable digit oppressors!”)

Let us not forget the Australian Road Train (aka, Road Kill), which came out in 2010. In that one the monster truck is a rolling grindhouse, running on the goop left over after it throws you in the back and food processes you into energy-efficient goop. (They got this idea from 2007’s really funny dark horror comedy, Blood Car.)

While we’re on the subject of all things vehicular homicidal, there’s the “destined for the junk yard” Super Hybrid (2010) that had a souped up Prius™-y type hybrid not yielding to the right of way of pedestrians.

Want more? There’s plenty out there – especially on the freeway.