Icy Horror, Chilling Ghosts, Cold Demons

Want a real life/real time horror story? A Yahoo!.com science article published on Thursday, July 13, 2017 stated that unchecked climate change will eventually lead to widespread devastation on Earth. To that I say, YEESH! intentionally in all caps.

The jolting article, written by Business Insider’s Kevin Loria, goes on to say, “Rising seas will inundate coastal cities like Miami, searing heat will increase human mortality, and acidic oceans will become inhospitable to fish and coral, leaving behind little but rubbery masses of jellyfish. These consequences of human activity could be the thing that prevents our civilization from advancing much further. In a particularly extreme scenario, it could even wind up wiping us from the face of the Earth.” (They had me at “rubbery masses of jellyfish.”)

This information is timely given that a trillion ton glacier chunk the size of Delaware recently broke off the Antarctica ice shelf (it’s like a cupboard for frozen water), an event horizon that portends mega doom for at least more than a few Emperor penguins and/or whale-eating polar bears. And all this time I presumed aliens would zap our sorry asses, suck up all the valuables (gas, alcohol, bit coins, frozen burritos) and head back to Mars for a kick ass party.

Earth-ending weather-gone-wild horror movies are nothing new (the most recent upcoming  being Geostorm/2017), but to have it all come to real life is a whole different box office.

Speaking of, here are a few upcoming horror/sci-fi movies we may or may not get to see once that huge iceberg smashes into our neighborhoods and precious 7-Elevens™. But hey, at the very least, beer will be the coldest it’s ever been!

PLANETARIUM (August 11, 2017/New York — August 18, 2017/Los Angeles)
“In 1930s France, two sisters who are thought to be able to communicate with ghosts meet a visionary producer while performing in Paris.”

Interesting fun fact: All French people can communicate with ghosts, or “des fantômes.” And yes, it has everything to do with drinking a quart of wine per meal.

GHOST HOUSE (August 25, 2017)
A young couple, Jim and Julie, are vacationing in Thailand where Julie falls in love with photographing small shrines called ‘Ghost Houses’ that are believed to give spirits shelter and comfort. A couple of British travelers take them into the countryside with the promise of showing Jim and Julie a ghost house graveyard where many of the shrines are discarded. After leaving the graveyard with a souvenir, Julie is increasingly plagued by visits from a malevolent spirit that threatens both her sanity and her life. After Julie is literally frozen in a state of terror, Jim must find a way to lift the curse before he loses Julie to the ghost world forever.”

Yeah, you don’t wanna shoplift in graveyards. First, said item(s) are always gonna be marinated in evil. Secondly, you don’t want stealing from the dead on your record. As for the Ghost Houses, rent is oddly steep for those things. I looked ‘em up on Zillow.com. You can see pics of inside these houses and it looks like someone lives there — but you never actually see people in the photos. Sounds like ghosts to me.

EXORCISM OF THE DEAD (2017/2018)
“Candace, a deeply troubled young woman, is possessed by an ambitious demon. Her family has tried every conventional method to heal her, but both medicine and psychology have failed. As a last resort, they reach out for aid from the church, unaware the priest who arrives to deal with the situation has his own dark secrets.”

This premise has been done and overdone more times than I’ve been exorcised (47 and counting. Note to stupid preachers — not possessed, just drunk-ish.) But I take my collar off for the demon’s sticktoitiveness work ethic.

Amityville Overdose, Slenderman Diet, Human Popsicles

Just when you think they couldn’t milk one more drop out of the Amityville Horror movie franchise cow, now word comes down the udder that 1974, a movie based on the true murders that happened in the infamous Amityville house, is going into production in September, 2017. This will be the 20th such Amytiville movie since 1979. That’s about 19 too many. (By comparison, the Friday the 13th series steps up to the empty plate with a mere 12 titles. In your hockey mask, Jason — ha!)

From the Internet: “On November 13, 1974, Ronald DeFeo, Jr. shot and killed six members of his family at 112 Ocean Avenue, a large Dutch Colonial house situated in a suburban neighborhood in Amityville, on the south shore of Long Island, NY. He was convicted of second-degree murder in November 1975. In December 1975, George and Kathy Lutz and their three children moved into the house. After 28 days, the Lutzes left the house, claiming to have been terrorized by paranormal phenomena while living there.”

This, of course, was the basis for the first movie. And a good one it was, providing neat jump moments, scary this and thats, a flying pig with glowing eyes (better than it sounds), and a bunch of flies forming a halo around a preachy preacher. (A nod to Alice Cooper on that one.)

So why do we need YET ANOTHER Amityville horror movie? Because apparently there’s a significant number of you out there that weren’t even born when the movie first came out. How is that even possible? Suggestion: If you know how to read, try the Jay Anson book (The Amityville Horror: A True Story/1979) of the horrific account first, though. Bonus: you won’t have to plug it in.

Speaking of things you won’t be able to swipe to the left, here are a few upcoming horror and sci-fi movies that may or may not be worth the flick of the wrist…

WITCH’S DOLL (2017)
“Ambitious young true crime writer Adeline Gray travels to a remote English village to unravel the mystery behind a family’s murder. While investigating the prime suspect’s now derelict ‘Manor in the woods’, she notices a creepy life-size Victorian doll is following her from room-to-room. After a series of terrifying and inexplicable events, she believes the doll is carrying a hateful spirit wanting to be left alone. Desperate for a career defining story, Adeline’s persistent search for answers soon puts her too at the mercy of the Witch’s Doll.”

Yep, a complete and utter RIP-OFF of Annabelle, the evil doll from The Conjuring/Annabelle: Creation RIP-OFFS. And it should come as no surprise this comes from The Asylum, who have made a thriving career out of RIPPING OFF other people’s intellectual property. Feeling RIPPED OFF? You should.

REALIVE (October 3, 2017)
“Marc experiences a terrible shock when, at just 32, he is diagnosed with a disease and is given one year to live, at best. Unable to accept his death, he decides to freeze his body before the disease can impair it. Sixty years later, an institution called Prodigy Health Corporation manages to revive him. Although his return to life comes with many medical complications, his body clings to life. It’s the soul that is harder to heal.”

I’m soulless, so bringing me back from a frozen stasis to remove that pesky purple thing on my neck isn’t an argument. And the whole “human snow cone” thing should fall under my discount medical coverage. It better.

SLENDERMAN (Friday, May 18, 2018)
“A tall, thin horrifying figure with unnaturally long arms and a featureless face, is reputed to be responsible for the haunting and disappearance of countless children and teens.”

Getting rid of kids and teens? Gotta say — I’m already liking this man of slender. If this catches on, what do you bet they’ll come out with the Slenderman Diet program?

TABBOT’S TRAVELING CARNIVALE OF TERRORS (October 31 2018)
“This traveling carnival, a well-oiled machine of malignant deception moving into its third generation of grinding up choice guests and spitting them out, runs according to its own twisted family plan. Each Tabbott plays their part: Papa, the ringleader and ringmaster; Mama, the fat witch on her throne; the children: Bobbie, a seductively cunning fortune teller; Buck, the temperamental werewolf; Elijah, a silent scarecrow; and their darling Emma, the ghostly child you’d do well not to ignore.”

Sounds like they’re descendants of 1964’s 2000 Maniacs. In that gruesomely brutal (yet still kinda funny) one, people were lured into a small Deep South town for a Centennial celebration where the residents graphically killed them into picnic-sized portions. Had something to do with revenge, the Civil War and the people who just can’t seem to let the loss go.

Our TVs Are Filled With Horror

It’s been a banner year for horror/sci-fi TV, the nightly news notwithstanding. While I’ve dipped my couch into stuff like The Strain, Preacher, Van Helsing and Outcast, due to there being only 24 hours to a day, I was only able to watch 1,825 hours of quality genre programming. Doesn’t scratch the surface of what’s out there. That established, here’s a few 2016 horror/sci-fi viewing habits…

THE WALKING DEAD
Like it or double love it, season seven’s opener was one of the all-time jarring shockers of this or any other year, setting the bar unreachably high on all out line-crossing torture porn. New hammy villain Negan (rhymes with “vegan”) makes season three’s Governor look like a Wal-Mart™ door greeter.

FEAR OF THE WALKING DEAD
Barely made it through season one. Then I watched the season two opener and walked away from it. Too many unlikeable characters in implausible circumstances. The zombies, ironically, are the most believable aspects of the show.

STRANGER THINGS
By far and away THE best new horror/fantasy series hit of the year. A monster called Demogogon exists in an alternate dimension called the Upside Down. (I’ve been visiting there every since discovering alcohol.) The darn thing gets into the regular dimension and all mystery heck breaks loose with pre-teens — and the magnificent Winona Ryder — Scooby-Doo’ing the heck out of said mystery. P.S. The Upside Down would be a great name for a dive bar.

AMERICAN HORROR STORY: MY ROANOKE NIGHTMARE
Like goat cheese on pizza, this season did not work at all. The problems? Start with the first episode and end with the last one. I’ll give ‘em props for trying to mix a reality show premise with found footage. But there’s a reason why reality shows and found footage suck. And the muddled, no questions answered season end was indeed a nightmare. P.S. Lady Gaga was vastly underused this season.

ASH VS. EVIL DEAD
As amazingly corny, campy and killer as you’d expect. Why didn’t they think of doing a TV series years ago? (Ash should’ve been elected president.) The evil dead still have it in for Ash after all these years. Good for us. Not so good for him.

STAN AGAINST EVIL
Stan Miller, a grizzled, forced-into-retirement redneck sheriff, Archie Bunker’s his way through an inexhaustible stream of demons stinkin’ up his New England town. One great crack after another: “My shirt smells like low tide at A**hole Beach,” and “Ever been beaten with a bag of oranges?” An easy and obvious successor to Ash.

FROM DUSK ‘TILL DAWN
On its third season, the Gecko Brothers really flesh out the franchise’s storyline and take it to new extremes with a shocking (and satisfying) amount of blood and violence. Pushing the boundaries of censorship, TV vampires have never looked this nasty cool.

THE RETURNED
One of the quiest, unsettling and beautifully creepy made-in-France eight-episode series (based on a French movie of the same name) in 2016. Will make you rethink what a zombie is/should be. Don’t worry about moving your lips to the sub-titles; there’s not a lot of wordings. Or screamings. As I said, quiet.

THE EXORCIST
Who knew they could take one punchline and make a tense and nervewracking TV series out of expunging demons from beleagured souls every week? Looks fun. Wonder if I can schedule an exorcism appointment for myself? My stupid health insurance probably won’t cover it, though.

CHANNEL ZERO
A tooth monster. Yep, you read me right. There’s a monster made of human teeth in this slow-burn awesome SyFy Channel™ original series. The show has bite. C’mon — how could I not say that? The joke was sitting right there.

SALEM
Tried to get through the first season of Salem a while back. Even with plenty of icky, gnarly witches and the demonic gunk/insects drooling/crawling out of their orifices, was not able to emotionally invest in it, which is why I haven’t pursed it in subsequent seasons. Probably should should go back and recommit to evil and see where the show takes me.

Of the sci-fi superhero stuff, watched most but not all. (Looking in your direction Arrow season 5 and D.C.’s Legends of Tomorrow.) Speaking of Arrow, his famous line before shooting criminals in the chest with his name always says, “You have failed this city…” At the beginning of season 4 his girlfriend attempts to make him breakfast. He looks at it and says, “You have failed this omelette…” That’s not just funny, it’s dang funny.

Anyway, here’s what else I warmed the couch cushions to…

SUPERGIRL
Season 2 episode (“Changing”) is where Supergirl gets drunk — on one drink — and her Black-Ops step-sister tells her she’s driving her home. Supergirl: “Well, I’m sure not flying!” I LOL’d over that one. Supergirl gets smacked upside the “S” in almost every episode, sometimes by space alien criminals instead of delicious adult beverages. I’ll give it to that super cutie — she can take a punch. Just not from the punch bowl. Heh.

P.S. Digging the crossover stuff, like when The Flash showed up in Supergirl’s world. Her day job boss at Catco (media conglomerate), not knowing who Flash is, named him The Whoosh. Priceless.

THE FLASH
Turns out there’s hundreds of Earths, each one accessible with the help of a user-friendly meta-human. This means more Flashie knock-offs, more meta-criminals, more storylines and more opportunities for the Flash to get beaten up every time he slows down. Quite nifty they’re invoking Flashpoint (time-travel and the Butterfly Effect) from the cartoons. Even still, a bit on the lightweight side. It’s not like I can change the channel or anything. Wait a sec…

GOTHAM
Pleasantly graphic and unflinchingly violent re-imagining of the classic Dark Knight universe, with a pre-pubed Bruce Wayne (not quite Batman) sporting a bat-a-rang for Selina Kyle (Catwoman as a street kid), the Penguin (criminal turned mayor — there’s a stretch), Edward Nygma (Riddler), Joker (killed off way too soon, but coming back somehow), Poison Ivy (played by three different plant species), and a D.C. sampler of legacy super criminals (Mr. Freeze, Mad Hatter, Hugo Strange). Despite all these tasty elements, it’s police detective Jim Gordon and Bruce’s now-legal guardian/servant Alfred (cast as a former member of the the British Special Air Service) who are the standout ass kickers here.

DAREDEVIL
Season one was good at establishing Matt Murdock — blind and struggling public defender — as a serious defender of justice with the business end of his fist. Season two’s storylines were better developed, but it’s the all-out slobber-knocking fight scenes, which often leave Matt a candidate for emergency medical attention, that leaves one’s mouth agape. Simply agape.

AGENT’S OF S.H.I.E.L.D.
This was a personal fav, but the storylines are jumping around like meta-frogs. Finding it interesting that Marvel and D.C., both of whom boast superheroes with the same abilities (Green Arrow/Hawkeye, The Atom/Ant-Man, Flash/Quicksilver, Hawkman/Angel, Aquaman/Sub-Mariner, El-Diablo/Human Torch), are using similar terms, if not story lines with Hive/H.I.V.E. It’s kinda like comparing apples to, um, windows. Heh. And an Aussie beer swillin’, womanizing, obnoxious Ghost Rider? Brilliant.

LUKE CAGE
Best surprise hit of the getting-crowded-by-the-minute superhero TV series. Luke, first introduced in Jessica Jones as her “friend” with mattress benefits, returns as a super smooth, reluctant, big city neighborhood hero impervious to artillery and sharp stuff while dispensing much-needed street justice with super strength, all against a backdrop of current day Harlem. (You’ll forget you’re watching a contemporary show and not back in the ’70s. An excellent homage to Shaft.)

Besides being a top-notch African-American superhero, the show’s music, performed in a criminal’s nightclub with today’s artists (Raphael Saadiq, Charles Bradley, Faith Evans, The Delfonics and more), is beyond groovy. I could easily dance to it. That’s MY super power. (Yeah, I prefer metal, but that’s where I let my neck dance.)

P.S. And why the flip is there not a second Jessica Jones season? Do I need to go all Daredevil on someone’s decision-making process?

P.P.S. And where the flippin’ fudge is iZombie season three? The CW’s™ website says it’ll be a two-hour season premiere on Tuesday, April 4, 2017. Get your cookbook ready for more brain-eating recipes.

Evil In Real-Time

We humans aren’t the only ones affected by pollution. After years of taking drugs, smoking drugs, eating drugs and overloading on McDonald’s Happy Meals™, our blood is so contaminated, even vampires won’t drink it. And when they do, they vomit all over the place. How rude.

Over the years this poor diet has led to vampire mutations, with some being able to walk around in day light as if a werewolf, others having their fanged mouths in the palm of their hands. (You DO NOT wanna give these vampires a high-five.)

So off four of vampires go, traveling from the blood-bereft Nevada desert to the gushing Hollywood Hills, looking for something to drink. Yep, you’ll find countless decorative ponds of untainted blood in L.A.

Hot on their trail is a whiskey-swilling old priest who carries a Samurai sword and guns. If you can’t figure out why the priest has been so hardcore about chasing down a particular vampire couple, you should stick your head in a garbage can.

Yeah, the movie title (Live Evil/2008) is dumb and the action is both hokey and Z-grade. But there’s lots of gooshing gore and naked nudity. Sounds like a typical day in Hollywood.

The Lord’s Vampire

When a “weak of flesh, but strong in the Lord” preacher is bitten by a vampire, you’d think God would step in a go, “Oh no you di’int.” Maybe because the preacher frequents strip clubs and does things in the private lap dance room contrary to his belief system. Back to Bible Camp for you, pal.

A small Southwest town and aforementioned strip club is the intersection for several drama collisions, one being a gorgeous single-mom stripper with a 10 year-old daughter, a suicidal-by-alcohol club bouncer who a while back killed his young daughter while driving drunk, a man and woman vampire looking to get in some low-key snacks, and the aforementioned fire-n-brimstone preacher who survives a vampire attack, only to become one himself.

Once shown the true light, the preacher recruits his flock to weed out the cancer in the community. His target: the strip club. But only after he makes the red-head his eternal bride of doom.

The bouncer, Hazel Fortune (half of that is a cool name), becomes emotionally attached to the stripper’s young daughter, and sees a chance to be the dad he wasn’t on that night he made his own daughter pay for his drinks.

The local rednecks are all too eager to help usher in the Lord’s way, and do redneck-y stuff to those they capture and hold hostage in an old house. The dude vampire, now single as the Preacher managed to kill his toothy wife after the initial attack, steps up to help Hazel rescue the little girl and stripper mom, who is a vampire stripper now. A lot to suck in, but stay with the group.

Lots of neck puncturing, eye stabbing, knife poking and head shot-gunning. But oddly, no bare boobies. You’d think with a strip club as the metaphor, they’d at least put ’em on the glass. Not so with this one.

Southern Gothic (2007) has a few corny moments (the preacher is waaaaaaay over the top with his preachin’), and a platter of splatter. But it felt like the vampires needed explaining. And at least one bare boob. It would’ve helped the plot waaaaaaaay more.