Kaiju Clothes, AI Vampires, Death To Earth

Got a spare $8,350.00 laying around and are need of some new church clothes? The MCS: Animatronic Attraction Maker in China has you covered. Makers of kaiju-sized animated dinosaurs (presumably to scare the fèihuà out of neighboring enemies), they now set their sights on creating a Godzilla suit that comes complete with G-sounds, spraying smoke and (my fav), nuclear pulse effect. To throw more bonus on the fire, MCS is shipping this 61lb. costume — for free.

Spiked head to clawed toe, the costume measures out at 7.87 feet tall, big enough to cram three frat boys into. The suit is made of silicone rubber, with a stainless steel frame, and colorized with high density foam-oil paint. From their product description: “We wanted to get a real nuclear pulse in the Godzilla suit-making process, so we added the LED light flashing effect to show Godzilla’s various emotions. The mouth can spray smoke and emit a light beam. For Godzilla fans, this is a real giant radioactive monster. It is time for you to wear this king of all costumed Kaiju at Godzilla cosplay events.”

So while we all go to the bank and fill out a loan application and put our car/house up for collateral and buy this suit immediately (only three left as of this e-barfing — click this), here are a few out now/upcoming horror/sci-fi movies/documentaries that may or may not make you spray smoke…

IMMORTAL OBSESSION: A HISTORY OF VAMPIRES / Out now (Amazon Prime Video™)

“Written, illustrated, and performed entirely by AI, Immortal Obsession: A History of Vampires explores the classic monster’s captivating history, from their origins in ancient folklore to their enduring role in modern pop culture. Innovative filmmaker Brian Cunningham utilized ChatGPT to write a compelling script, a video generator to create a lifelike host, an art generator to provide striking illustrations, and a music engine to compose a dynamic score. Cunningham’s human touch was used to refine the script and edit together all of the AI-produced assets.”

AI-generated or not, vampires are not immortal. I have a Bible™ brand crucifix, a rib-eye stake and a six-pack of holy water (Budweiser™) to challenge any vampire’s deathlessness.

SECRET SPACE UFOS FASTWALKERS / Out now (VOD)

“An exhilarating adventure into the mysterious world of NASA-related UFO encounters in space. Starting in the late 1970s and continuing until now, expert researchers will reveal a history of anomalies recorded by military and space research missions. Beginning with Skylab 3’s UFO incident, expanding into the STS/ISS Mission Era, director Darcy Weir and the rest of the team uncover a deep recent history of UFO sightings in space. In the present day they uncover all of the developments in Congress regarding UAP research and disclosure to the public during 2023. A new interview conducted with a long lost space anomalies researcher Martyn Stubbs is included in this documentary.”

NASA is sitting on tons of UFO footage, but all the good stuff remains unseen by the “I want to believe” public. I bet all of it is stored in recyclable plastic grocery bags in the Pentagon’s hall closet.

SCAVENGER / Out now (VOD)

“Set in the wastelands of a future dystopia, Scavenger charts the transgressive journey of a female organ dealer as she seeks revenge on the remorseless crime cartel that murdered her family.”

I’d like to be an organ donor. If I ever get around to kicking the bucket, I hereby bequeath my Wurlitzer to anyone who can lift that f’n thing.

DOOMSDAY METEOR / Release pending 2023 (VOD)

“A meteor bigger than the moon, and unseen by Earth until now, has less than a week until planetary impact. Scientists try to stop the giant mass with rockets armed with high-powered lasers. When that fails they land on the asteroid, mounting it with rockets in an attempt to push its orbit away from Earth. But as the team continues to run into problems they never imagined, the future of mankind becomes more and more bleak.”

For a similar but more hi-brow apocalyptic “rogue planet smashes into Earth” movie, watch Meloncholia (2011). You will actually cheer on the destruction of this stinkhole planet.

Expensive UFOs, Ghost Selfies, Fear of Fear

Found some really cool Close Encounters of the Third Kind art (by artist Daniel Keane) on the Internet. (The term “world wide web” is so Netscape 3). This got me thinking about that recently released Navy jet fighter footage of a UFO pretty much outmaneuvering them as if playing paranormal dodgeball.

Made public (finally) by the Pentagon last December, the footage was shot back in 2004 and was so convincing the Pentagon emptied the collection plate for $22 million to study the “40-foot-long Tic Tac” and its relatives. And yet we can’t come up with a few hundred bucks to fix that @#$%! pothole on the street in front of my house? I already did the research — it’s definitely a hole. It’s so big, you could put other holes in it.

Here’s how the government rationalized the fund folly — retired Cmdr. David Fravor told CNN’s The Situation Room the money spent on the program was a drop in the bucket relative to the military’s over half-a-trillion-dollar annual budget. Pffft — I would’ve done the legwork for 82% of that amount.

On that promissory note, here are a few just released and upcoming horror/sci-fi movies that the military may or may not spend a million billion dollars to study…

IRRATIONAL FEAR (available now)
“Six therapy patients are brought together at a secluded cabin to confront their strangest fears. But these fears won’t just hurt them…they will kill them.”

My strangest fears include never getting to ride in that Death Proof (2007) Chevy Nova™, invisible dog poop on visible sidewalks, and getting bitten by a radioactive spider and webbing my pants in front of the Green Goblin. That would be embarrassing on so many levels.

MALICIOUS (Summer, 2018)
“When a young college professor Adam and his pregnant wife Lisa suffer a traumatic event, they find themselves along with Lisa’s sister Becky haunted — and connected — to a malicious entity. It is only when Adam calls upon Dr. Clark, a professor of parapsychology at the university, that the true horror of what they have encountered becomes clear.”

Lots of movie gals getting knocked up by evil these days: Restraint (2018), The Lullaby (2018), Still/Born (2018), Prevenge (2016), Shelley (2016), Devil’s Due (2014), Delivery (2013), The Clinic (2010), Grace (2009), etc. And let us not forget Rosemary’s Baby (1968), the gold standard for crib horror. (Honorary mention: It’s Alive/1974.) Why, there’s enough pregnancy-gone-wrong movies to fill up 40 weeks. Heh. For a really lurid take on this genre, try Inseminoid (1981). If the title doesn’t fill your diapers, the plot will: “A space-team member goes berserk after being impregnated by something on another planet.” It appears somethings on other planets don’t practice safe sex. I bet they don’t even pay child support, either, those losers.

AURA (November 8, 2018/UK— 2018/2019/US)
“Said to revolve around the concept of photographing your own aura, known as Kirlian photography.”

So you take a selfie of yourself sucking in your cheeks in like an anorexic/narcissistic supermodel and a ghost demon shows up in the photo? Just as it’s not making that two-fingered “peace sign” dealie behind my head, I’m okay with the photo-op. Ready for my close-up.

200 HOURS (2018)
“It’s 1986 and a group of graduate students are close to discovering a cure for sleep using an experimental new drug, but something goes terribly wrong with a test subject. After their department is shut down, the team moves forward in secret — only this time on themselves.”

Sounds like a rip-off of A Nightmare on Elm Street 3: Dream Warriors (1987) and Flatliners (1990/2017). More rip-offery: The movie’s logo rips freely from Stranger Things (2016). And the bra that gal is sporting? I’m wearing the same one!

Wolf-Man For President

Jack Whittier, the President’s aide, is sent to Hungary for no other reason that it’s there. While making his way back to the airport to get the hell out of that smell-infested country, his car is run off the road and he’s bitten by a wolf, which we later find out was a gosh-darn werewolf.

Once back in Washington, Jack turns into a marauding, suit-wearing lycanthrope and kills a few people that probably deserved it. (One attack has him on top of a woman’s car at a brightly-lit gas station. Fortunately, no one saw him.)

As luck would have it there are five nights of full moons. Jack’s gooning out and trying to tell everyone he’s the werewolf in the news that’s been biting people. No one believes him. I do, though. When he changes into a silver-haired werewolf in his apartment, he crawls around on all fours and bites the lamp. That’s OK – it was probably a stupid lamp.

In a really confusing plot deviation, wolfman Jack (Hey, I just got that!) makes his way into the White House basement where he encounters the dwarf, Dr. Kiss (no relation to the popular musical ensemble) who’s been experimenting on bodies. Jack sniffs the doctor’s butt and licks his face. This causes the doc to laugh, even though it probably wasn’t in the script.

And speaking of, there are so many laughably bad scenes in The Werewolf of Washington (1973), you have to see it to believe it. Great dialogue, too, as Jack, who’s been boinking the President’s daughter, tells her with a straight face, “I think your father is a cross between Abe Lincoln and Jesus Christ.” Man, you can’t even write lines that good anymore.

The President swears numerous times and eventually gets bitten by Jack. Let’s just say the Pentagon is now the Pentagram. Heh.