Printed Splatter, Foreign Demons, Immortal Daycare

Before there were iPads™ and “smart tablets,” you got your news and non-porn ads from newspapers. Those things were cool — lots of pictures, tons of useless information and you never had to plug it in or recharge it. It was in those newspapers that movie companies placed ads. And in the ’80s, you got gore and slasher movie ads, which were an art form unto themselves.

Author/horror movie expert Michael Gingold (Fangoria, Rue Morgue, Birth.Movies.Death, Time Out New York, Scream, The FrightFest Guide to Monster Movies, Shark Movie Mania), has a new book coming out October 9, 2018 called Ad Nauseam: Newsprint Nightmares from the 1980s, a compilation of all those luridly glorious horror movie/TV ads. And even more frightening is the price: $34.95. In 1980s money, that’s worth the price of nearly 140 newspapers. That’s some serious fire hazard buying power.

I’m thinkin’ that the reprinted horror movie ads are all black and white, which gives ‘em a grindhouse-y aesthetic. The book might have a few color ads, though, (I’m hoping to see The Evil Dead/1981 ads in full blood-esque color).

While we impatiently wait for October (why won’t my homemade time tunnel work? I put new double AA batteries in it…), here are a few upcoming horror movies/TV series that may or may not be worth cutting out of a newspaper or downloaded onto your maxi-iPad™…

WELLINGTON PARANORMAL (July 11, 2018/New Zealand)
“The new mockumentary series follows officers Minogue and O’Leary as a pair of paranormal cops focused not just on vampires this time. New Zealand’s capital is a hotbed of supernatural activity, so Officers Minogue and O’Leary take to the streets to investigate all manner of paranormal phenomena including ghosts, demonic possession and werewolves.”

This is the TV series sequel to the incredibly hilarious What We Do In The Shadows (2014) vampire movie, and will premier July 11, 2018 on New Zealand channel TVNZ. My antennae doesn’t reach that far. Word around the antennae store, though, is the follow-up movie is tentatively titled, We’re Wolves. Flippin’ genius.

OPEN 24 HOURS (2018)
“Mary knew her boyfriend James was the Rain Ripper serial killer. But she felt powerless to act until he forced her to watch another victim being slaughtered before her eyes — and then she set him on fire. On parole from prison despite everyone thinking she was guilty by proxy, and on medication to control her paranoid hallucinations, Mary gets a graveyard shift job at the remote Deer gas station. Then the killings begin. Is what’s happening real? Are they just blood-soaked delusions? Or does she really like to watch people murdered as her ex always intimated?”

Rain Ripper seems like a dumb name for a serial killer. And since when does a pyromaniac get a job at a gas station? That’s like me going to work for Anheuser-Busch. (Note to AB — I totally promise to stay drunk on the job, as I am a company man, through and through.)

THE WITCH IN THE WINDOW (2018/2019/Shudder™)
“A separated father Simon and his estranged twelve-year-old son, Finn, head to Vermont to repair an old farmhouse and encounter the malicious spirit of a previous owner, an infamously cruel woman named Lydia. With every repair Simon makes, he’s also making her spirit stronger…until a terrifying encounter leaves him doubting whether he can protect his son from the evil that’s making its way into their heads and hearts.”

“Infamously cruel.” That’s some serious street cred. Looks good on a resume, though, especially when applying to work for Yelp™.

NOS4A2 (2019/AMC)
“A young female artist named Vic McQueen discovers she has a supernatural connection with Charlie Manx, a seemingly immortal man who feeds off the souls of children and deposits their remains in a twisted holiday village known as Christmasland. Vic sets out to defeat Manx and rescue his victims while keeping her sanity intact.”

This one’s gonna be a TV series (whoohoo — binge time!) on AMC, and is based on the same named 2013 book by Joe Hill, Stephen King’s son. I can see why he didn’t take his dad’s last name — then he’d be “Joe King/Joking”. Heh.

Horror Magazines, Holiday Demons, Hellish Drugs

Was talking to a horror movie friend of mine in a bar (or as I like to call it, spin class), and ruminating over the demise of the globally prominent Fangoria horror movie magazine, which started in 1979 and ended abruptly went down the porcelain library a few years ago. They did, however, keep the website going. Meh.

Imagine me doing a faceplant as it was just announced Fangoria, under new ownership, will fire up the printers once again. What are the odds?

From the press release…

“Cinestate, the Texas-based entertainment company, has acquired all the assets and trademarks of the Fangoria brand, which includes the magazine. Also, Tony Timpone and Michael Gingold are set to return with their columns as well as consult the company going forward. Thanks to a new investment, a new Editor-in-Chief, and a new Publisher, the world’s highest-profile horror movie magazine is reemerging as a collectible quarterly with the first issue set to drop this fall in time for Halloween (2018)”.

It should be somehow noted that on December 5, 2007, a warehouse in Oregon, Illinois, which contained all back issues of Fangoria and Starlog magazines, was fired by fire. It’s common knowledge that back issues of Fangoria are not re-printed. This is good news for me as I own the entire collection (except for a few of the last few issues), all (over 300) kept in plastic with cardboard backing and stored in those cool comic book boxes. I’ll start the bidding at $1,000 — and you pay for shipping. Or come over with your checkbook, a van or front-loader, and a sixer of tall boys to seal the deal.

Not sure how a quarterly publication schedule is gonna be relevant in today’s digital second-by-second breaking horror news atmospheric conditions, though. The news would be as old as me by the time it comes out. But hey, with legacy editors on board, put me in the game, coach.

So while we wait for Fangoria’s obstetrician to arrive on scene, here’s some second-by-second breaking news about upcoming horror and sci-fi movies that may or may belong in the porcelain library…

AWAIT FURTHER INSTRUCTIONS (2018)
“The Milgram family, who have gathered to celebrate Christmas, find a mysterious black substance has surrounded their house. Something monumental is clearly happening right outside their door, but what exactly? An industrial accident, a terrorist attack, nuclear war? Descending into terrified arguments, they turn on the television, desperate for any information. On screen, a message glows ominously: ‘Stay Indoors and Await Further Instructions”.

Ewww! — black stuff on your yard at Christmas? Is that the new coal for a year’s worth of suspect behavioral patterns, or was Santa eating gas station burritos again? Either way, this movie echoes 2006’s Right At Your Door, wherein toxic ash snows down upon your ash hole and guys in hazmat suits show up to seal you inside your blackend house with plastic tarp and all-purpose duct tape. (Is there anything that tape can’t do?) Hazmat suits are kinda neat.

ALL THE CREATURES WERE STIRRING (2018)
“When an awkward date on Christmas Eve leads a couple into a strange theater, they’re treated to a bizarre and frightening collection of Christmas stories, featuring a wide ensemble of characters doing their best to avoid the horrors of the holidays. From boring office parties and last-minute shopping to vengeful stalkers and immortal demons, there’s plenty out there to fear this holiday season.”

Either a bit late or way too early in the year for holiday movies. But hey, when isn’t it a good time to celebrate the birth of Santa Claus, our commander in chief?

WHITE CHAMBER (2018)
“The United Kingdom. Soon. Civil war rages. A woman wakes up in a blindingly white cuboid cell. Using its sophisticated functionality, her captor tortures her for information she claims not to have — or does she?”

Sounds a bit like Cube (1997), except those “rooms” weren’t white. In fact, they looked like they were painted in nice metal-flavored hues. Instead of windows, though, each room in this gigantic Rubik’s Cube™was a trap so deadly, you could end up deadly dead. Hope that doesn’t happen to the nice woman in the blindingly white cuboid cell. I vote we give her sunglasses and a couple of magazines.

DISCARNATE (2018/2019)
“A neuroscientist’s obsession with a drug that expands the human mind inadvertently unleashes a deadly supernatural force on his team.”

Gotta say —nifty movie poster. The monster looks like some sort of evil Christmas tree on which to hang tinsel and/or fully anatomically detailed gingerbread men/women cookies. As for the drug that expands the human mind, look no further than the pleasingly arranged coolers at 7-Eleven™. More so if the store clerk is wearing a lab coat.

Monster Guide, Halloween on Halloween, Evil Stuff

For those of us who still know how printed books work (no swiping left or right required), you might wanna swipe, uh, I mean, purchase the just released The Frightfest Guide to Monster Movies (Dark Heart of Cinema), written by longtime horror movie critic and Fangoria writer/editor, Michael Gingold. The price? A mere $24.93 with free shipping from Amazon Prime™. (If you live in England Town and order from Fabpress.com, it’ll set you back 20£ or “quid”. (Translation: $26.38 U.S.)

From the book’s press release: “Celebrated writer, editor, and critic Michael Gingold traces the history of the genre from the silent movies all the way through to the present day. From Universal Studios legends such as Frankenstein’s Monster and the Wolf Man, to the big bugs, atomic mutants and space invaders that terrorized the ’50s, to the kaiju of Japan and the ecological nightmares of the ’70s and ’80s, to the CG creatures and updated favorites of recent years — they’re all here.”

Guess I’ll have to raid the quid swear jar and get a copy. There might not be enough shillings in there, so time to start cussing like an Irish longshoreman at last call. While I practice yelling “shite” at the top of my lungs, here are a few recently released and upcoming horror I swear you may or may not watch…

THE INVOKING 3: PARANORMAL DIMENSIONS (available now)
“Hundreds of disturbing paranormal events occur every year. Most of these terrifying encounters go unreported – until now. Enter the disturbing world of The Invoking 3: Paranormal Dimensions, where the undead come to wreak havoc upon the living. Grim Reapers, evil poltergeists, satanic forces and conjured spirits will feed off your fear and drag you into the abyss of waking nightmares.”

How this movie isn’t about alcohol abuse is beyond me. I see this stuff ALL THE TIME whilst excessively imbibing.

10/31 (October 31, 2017)
“A new horror anthology in the vein of V/H/S (2012) and Creepshow (1982) brings an ensemble cast together to spin twisted tales of the macabre. The poster is by Travis Smith who’s designed artwork for Metallica, Slayer, Avenged Sevenfold, Opeth and others.”

Cool poster. Hope the movie is as good. I like anthologies as my attention span is dwindling by the…

LIVE EVIL (October 31, 2017/Amazon/VOD)
“When a small college town police station is besieged by ‘Evil’ on a sleepy Halloween night, Pete, the sheriff, and Hancock, his loyal deputy, are thrown into the middle of holy chess game that could destroy the town, and possibly the world.”

Shouldn’t that be UNholy chess game? Why would Evil play a holy game? That’s like playing golf with bowling balls.

I REMEMBER YOU (November 10, 2017/DVD/VOD)
“After a woman hangs herself in a church, a new psychiatrist discovers she was obsessed with the disappearance of his eight-year-old son, who vanished three years earlier. Meanwhile, three city dwellers are restoring a house when they realize it is haunted, and a mysterious child named Bernodus, who disappeared 60 years earlier, is discovered as the link between the two groups.”

[Disclaimer: Already brought this to your attention a few months ago. This is the updated U.S. key art and a whole new pithy commentary.] Who names their kid “Bernodus”? Is he Greek? Are the names Jacob Marley or Casper not spooky enough? And why would a woman hang herself in a church? What, tying a rope around your neck and stepping off a wobbly stool not sufficiently religiously offensive?