End of The World, Heritage Alligators, All Colors Matter

In a recent AOL.com article written by Lindsay Granger, it appears the YET AGAIN Christian prophesied end of the world is scheduled to happen on April 23, 2018. And how will this come to be? That stinky Planet X is scheduled to usher in the Nibiru cataclysm. Seems kinda mega-harsh. More so when you find learn that ominous space rock doesn’t even have one 7-Eleven™ on it. End of the world, indeed.

The Washington Post wrote that “Planet X’s imminent arrival has been predicted so many times before, in so many newspapers, and its existence has been debunked so thoroughly by NASA, that we are struggling to find anything interesting to say about the latest round of panic and hyperbole.”

Hocking a biblical loogie in the face of that, David Meade — a Christian numerologist — insists that on April 23, the sun, moon and Jupiter will align in the constellation Virgo and bring forth the start of biblical rapture. The Daily Express, counters with a nicely placed dick-slap to that theory, saying scientists have dismissed these claims, noting that this alignment occurs once every 12 years. (On that proclamation, the Earth already collided with another planet in 2011’s Melancholia. It was neato.)

IF the end of the world happens on April 23, 2018, I’d better get my laundry done; One should always wear a clean pair of britches to the apocalypse. And while we wait for our impending/un-impending doom, here are a few upcoming horror/sci-fi movies that may or may not leave you rapturous…

LAKE PLACID: LEGACY (May 28, 2018)
“Taking place several years after the events of the original film, Legacy finds the team of young explorers out to reveal the secrets of an area removed from modern day maps and hidden behind electric fences. However, once they reach the center of the lake, they discover an island that harbors an abandoned facility with a horrific legacy: the island is home to a deadly predator eager to feast on those dumb enough to ignore the warnings.”

Even though Lake Placid (1999) became exponentially sillier with each sequel (I’m looking in your direction Lake Placid vs. Anaconda/2015) — you really can’t go wrong with a 30-foot alligator making Scooby snacks out of those who would dip their meaty limbs in his bathtub. So yeah, unbitten thumbs up for this one.

BAD SAMARITAN (May 4, 2018)
“A valet develops a clever scam to burglarize the houses of rich customers. Things go smoothly until he robs the wrong customer, and discovers  a woman being held captive in the home. Afraid of going to prison, he leaves the woman there and makes a call to the police, who find nothing when they investigate. Now, the valet must endure the wrath of the kidnapper who seeks revenge on him, all while desperately trying to find and rescue the captive woman he left behind.”

A criminal with a moral conscious. Quit your day job, dude. Might be a cool twist, though, if he kidnapped the kidnapper. I wouldn’t begin to know what to call that.

ATTACK OF THE ADULT BABIES (June 11, 2018)
“The aftermath of a shocking home invasion forces three frightened family members to break into a remote country manor and steal top secret documents. Little do they know the stately pile is also the clandestine venue where a group of high-powered elderly men go to take refuge from the stresses and strains of daily life by dressing up in nappies and having a bevy of beautiful nurses indulging their every perverse nursery whim. Nor do they realize this grotesque assembly is compelled to refuel the world’s economy by very sinister, sick and monstrous means. As the bodily fluids hit the fan, the bloody carnage and freaky weirdness escalates.”

From early reviews: “Attack of the Adult Babies is disgusting, depraved, brave, bonkers, brilliant and quintessentially British in its humor and depravity.” Sounds like they have all the bases covered, although seeing elderly men in diapers might be a glimpse of my future.

MONOCHROME: THE CHROMISM (2018)
“Traded and sold like currency, the outcast people known as ‘Hues’, are hunted down after turning color in a black and white world.”

A black and white world that starts to turn into technicolor has been done before with 1998’s Pleasantville. That was a comedy. This one sounds more not comedy.

Hell Kids, Hell Zombies, Hell Stuff

As you/me/I/us/them/they wait IMPATIENTLY for Stranger Things 2 (premiering Friday, October 27, 2017), news comes down the super fun happy slide the surprise horror hit has already been renewed for a third season. I needed some good news after waiting all day for that !@#$ “once-in-a-lifetime” eclipse to somehow destroy the world. (I know the eclipse was for free, but dang — I feel gypped.)

The new Stranger Things 2 key art is a slick homage to 1984’s A Nightmare on Elm Street. When you think about it, sleep slasher Freddy Krueger’s dream state world is the ‘80s version of Stranger Thing’s The Upside Down alternate universe/dimension/golf course. Regardless, I’ll have to go back to hoping for Melancholia to smash into this toilet Earth for my world-destroying fantasies.

While we wait for that planet to pinball ours, here are a few upcoming horror and sci-fi movies to help cope with the disappointing, non-destructo eclipse…

LITTLE EVIL (September 1, 2017/Netflix)
“Gary just married Samantha, only to find out that her 6-year-old son is the Antichrist.”

This horror comedy sounds fun/ny. But if the kid is the son of the Antichrist, does that men Samantha is the Mom Antichrist, or is this one of those, “it takes a village” things?

HELLRISER (October 9, 2017/UK)
“When their city is rocked by a series of brutal occult murders, veteran detective John Locke and his young partner Terri Keyes are forced to put aside their differences and follow the trail of evidence to a formerly abandoned asylum, where the new owner Dr. Unnseine is conducting his own brand of Nazi-inspired “medical research” on the unwilling inmates. One such inmate, the sexy but deadly Annie Dyer, may hold the key to the murders — and to the doorway to Hell itself — if only Locke and Keyes can stay alive long enough to discover what it is.”

As much as you’d think this is one of those Asylum Studio rip-offs, it is, unfortunately, from another source of rip-offery. Obviously, the title is lifted from Clive Barker’s Hellraiser (1987). Then there’s the “When there’s no more room in Hell…” kicker line on the key art, a bold shoplift from 1978’s Dawn of the Dead. Wondering why the filmmakers didn’t just put it all on the glass and have the zombies wearing Goth leather and walking around with nails in their heads, like those teens at the mall.

HAGAZUSSA: A HEATHEN’S CURSE (2018)
“Set in the 15th Century in the Austrian Alps, Hagazussa takes us back to a dark period when pagan beliefs of witches spread fear into the minds of the rural folk exploring the thin line between ancient beliefs, magic and delusional psychosis.”

Ancient beliefs, magic and delusional psychosis. That may be f’d up for those in the Austrian Alps, but for me it’s just another night at The Poggie Tavern. I like witches, though. The sexy ones on TV, not the stinky kind at the bar who smell like room temperature Steel Reserve malt liquor.

STILL/BORN (2018)
“Mary, a new mother who lost one of her twins in childbirth, struggles with the loss. She starts to suspect something sinister is after her surviving child — a supernatural entity that has chosen her child and will stop at nothing to take it from her.”

They kinda hand this one to us one a parsley-garnished platter — the “supernatural entity” is the twin that didn’t make it to market. (A theory, not a conclusion.) By the way, do you want me to tell you what you’re getting for Christmas?