Been marveling (again) over the non-official sales art for the upcoming big budget giant shark movie, Meg. Designed by artist David Graham, it’s so cool, the movie studio should just buy it from him and use that to sell the movie. (Not fake news: I posted this very same art in August of 2017 — and I endorse that statement.)
While David’s done several work-ups for Meg (in theaters August 10, 2018), the one featured here looks like it was inspired by another artist’s “movie” art. No party foul — when it comes to giant sharks, we’re all aquatic allies.
Speaking of vintage Jaws movie art (official or not), here’s one you may not have seen on dry/sorta wet land…
While you avoid getting in the water come August, here are a few upcoming horror/sci-fi movies that may or may not take a big bite out of your life…
ATTACK OF THE SOUTHERN FRIED ZOMBIES (March 13, 2018)
“Lonnie, a crop duster pilot, must lead a mismatched group of survivors to escape the deadly zombie horde after an experimental chemical, intended to control the invasive kudzu vine, transforms the citizens of Charleston, MS into zombies.”
Did this come out in February of 2017? That’s what IMDB.com is saying. And yet the trailer on YouTube™ and the date on the movie poster itself is claiming March 13, 2018 as its release date. I’m so confused.
HE’S OUT THERE (2018)
“On vacation at a remote lake house, a mother and her two young daughters must fight for survival after falling into a terrifying and bizarre nightmare conceived by a psychopath.”
YET ANOTHER psychopath conceiving nightmares for non-psychopaths. Not sure which orchestra I fall into.
RIOT GIRLS (2018)
“Set in a world where adults have mysteriously died and resources are scarce, Riot Girls tells the story of a teenage girl who is called to action when her brother is captured by rivals and set to be executed. Joined by the girl who has always loved her, and the boy who wants to love her, the threesome tear through the crumbling suburbs on a violent road marked by sexual discovery, betrayal and brutal justice.”
Cool, but isn’t sexual discovery, betrayal and brutal justice pretty much the same thing anymore?
DARKNESS VISIBLE (2018)
“Londoner Ronnie embarks on a journey to India when his mother, Suleka, goes missing and mysteriously ends up in a Kolkata hospital. Before Ronnie can unravel the mystery of what brought his mother back to her homeland, Suleka dies in an apparent cult killing. Further deaths point to a series of past murders that stopped 28 years ago when Suleka left India with her infant son. Until now. As the darkness within Ronnie grows and the murders reach their peak, all roads lead to the feared witch of Kolkata’s insane asylum.”
I’ve been to Kolkata’s insane asylum. They must’ve changed the sign, as it now reads: The Tug Tavern. I did buy one of Kolkata’s T-shirts, though. Their branding looks a heckuva lot like Motorhead’s logo.