King Kong, Godzilla, Dinosaur Floaties

Been following the development of the remake of King Kong vs. Godzilla (the first ppv match-up — aka “The Gorilla in Manila” — went down in 1962.) No pun intended, but there’s a HUGE logistic the filmmakers need to deal with: King Kong was 100 feet tall in Kong: Skull Island (2017), the biggest he’s ever been. However, in 2016’s Shin Godzilla (aka, Godzilla: Resurgence), the king of monsters shook, rattled and rolled skyscrapers at 387 feet. You see where I’m going with this.

So by pitting Kong against Godzilla in 2020 (projected), they’re either going to have to make the monkey four times his current stature, or shrink Godzilla down 287 feet. As science tells us, you don’t/can’t/shouldn’t make Godzilla smaller. (In King Kong vs. Godzilla they were both about the same height: 164 feet tall, give or take a few chimneys.)

A few unsolicited options: #1: Make four Kongs and stack ’em. #2: Have Godzilla stuck halfway down some sort of quicksand pit or really deep hot tub. #3: Monkey foot-shaped platform shoes. I could keep this up all day.

Speaking of glaring discrepancies, here are a few upcoming horror/sci-fi movies that’ll either make sense or they won’t…

BONEJANGLES (July 18, 2017)
“While transporting the legendary serial killer Bonejangles to an asylum, a group of police officers break down in a town cursed with demonic zombies. The only way they can survive the night and save the town is to release Bonejangles to help them fight the curse, with something much worse.”

Not to be confused with the Bonejangles from 2005’s Corpse Bride (He sang/sings at the Ball and Socket Pub.) Hard, though, to take a serial killer who names himself Bonejangles seriously. Come back to me with something like Knifey McCutter and we’ll talk.

SUSPIRIA (2017/2018)
“Susie Bannion, a young American woman, travels to the prestigious Markos Tanz Company in Berlin in 1977, arriving just as one of its members, Patricia, has disappeared under mysterious circumstances. As Susie makes extraordinary progress under the guidance of Madame Blanc, the Company’s revolutionary artistic director, she befriends another dancer, Sara, who shares her suspicions that the Matrons, and the Company itself, may be harboring a dark and menacing secret.”

Yep, YET ANOTHER remake, the first one making its same name back in 1977. It was Italian, so if you plan on watching it, plan on reading it as well. Unless you’re Italian. If so, go nuts.

MAB (2017)
“Rosie and her mother, Kris struggle to make ends meet. Their only source of income comes from the daily delivery Rosie makes to the mysterious Mab. But what are these deliveries and what impact will this have on their lives of those around them? A magical realism short that uncovers the sacrifices people make to take control of their lives and the evil that lurks in the darkness of desperation.”

A smattering of research reveals that Mab is one of the moons of Uranus and/or a fairy in Shakespeare’s play Romeo and Juliet. Or it could mean “multi-armed bandit.” (A reference to a criminal octopus, perhaps?) However you cast it, this one’s gonna be a rough sell to Mab Darogan, a figure of Welsh legend.

JURASSIC WORLD – FALLEN KINGDOM (June 22, 2018)
“With all of the wonder, adventure and thrills synonymous with one of the most popular and successful franchises in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaurs along with new breeds more awe-inspiring and terrifying than ever before.”

The first official poster for the Flintstones of the Future. So yeah, more unleashed dinosaurs. Have to say, I did like the Mosasaurus, that badass swimming pool dinosaur in Jurassic World (2015). The pool rules were simple: you cannonball in and you don’t cannonball out.

The Horror of 2016

“Wouldst thou like to live deliciously?”

Best line in recent contemporary horror as whispered by the tempting, unseen evil thing in The Witch, one of the 2016’s least conventional but deliciously grim horror movies. I haven’t heard a line that good since “I know you are, but what am I?” from Pee Wee’s Big Adventure (1985).

The second best line of dialogue of the year comes not from a horror/sci-fi movie, but from the TV series Supergirl: “It’s time to punch you in the face…” (Note to anyone not using glitter chapstick – Supergirl is faring far better under the CW™ tweener banner than it did with CBS™, who had no idea what to do with superheroes sporting abnormally perfect teeth and Clearasil Ultra Rapid Action™ complexions. This is CW’s™ wheelhouse, man.)

In a year fraught with horror (politics notwithstanding), there were more than a few genre movie and TV stand-outs. And while I’m a world famous (ahem) blogger of horror/sci-fi, this e-offering is not even close to being comprehensive and I am by no means an authority on the subject. (I’m an expert at being NOT an expert.)

Of the ton of big/low-budget genre movie/TV crap I’ve watched all year long, the following represents a few chunks of interesting crap therein. You don’t have to agree with me, though, just because I’m a world famous blogger [insert nervous cough here]…

THE WITCH
This unforgettable chiller introduced horror’s best new figurehead: Black Phillip, the Danny Trejo (or “Machete”) of badass barnyard animals.

SHIN GODZILLA
F-word amazing. They gave reboot G several insanely cool upgrades while holding true to Godzilla’s original hairstyle, including his “one-blow-blows-up-all” destructo breath: purple-y AND flame-y. That’s pretty sweet. Shin Godzilla, almost all filmed in broad daylight, shows Godzilla doing what he does best: making smash hits. I’d buy his album.

TRAIN TO BUSAN
A South Korean zombie movie that mops the floor with every other zombie movie released this year. So ridiculously intense is this thing (passengers trapped on a speeding commuter train while zombies board without passes), you don’t need English translation. (I went legit and watched it without sub-titles. That’s how I roll.)

10 CLOVERFIELD LANE
Was this a sequel to 2008’s Cloverfield? There are those who walk among us that say yes. Doesn’t matter — while the movie climaxed with alien stuff (if you didn’t already know that — ha!), it’s the premise of several super tense characters in a rural underground survivalist bunker (two of which are there involuntarily) that brings the real horror.

ROB ZOMBIE’S 31
Like him or not, Rob Zombie always makes stomach-turning, gritty and gory horror movies. This one puts a group of traveling carnival white trash performers in a huge maze inside a huge warehouse-y type building, facing off in a brutal do-or-die obstacle course with highly colorful and pretty darn mean maniacs (Doom-Head, Sick-Head, Schizo-Head, Psycho-Head, Death-Head, Sex-Head), all wielding power tools. Make it out of the building, you live. Sort of.

PHANTASM RAVAGER
Does this final installment of the surreal and beloved Phantasm franchise deliver the groceries? Yes and not yes. Given that it’s been nearly 20 years since the last one (Phantasm IV: Oblivion/1998) and brings back the original characters, all of which puts you in the zone, Phantasm Ravager still leaves a pile of unanswered questions, like what happened to Reggie’s 1971 Plymouth Barracuda (second only to the Batmobile in sleek coolness)? But hey, those iconic flying death spheres, aka, gasoline-powered sharp things? All over the freakin’ place.

DEADPOOL / CAPTAIN AMERICA: CIVIL WAR / BATMAN V SUPERMAN: DAWN OF JUSTICE / SUICIDE SQUAD / DOCTOR STRANGE
Great year for great superhero movies. All of the above kicked ass to varying degrees of ass kicking. And Suicide Squad’s dementedly drop dead sexy Harley Quinn ranks with Deadpool and Black Phillip as a top genre icon of the year. (Godzilla’s already in the Hall of Fame, so giving somebody else a chance here.)

Honorary mention goes to Ben Affleck’s Batman, who puts the dark in Dark Knight. (He drinks the hard stuff, two syllable swears, horizontally smooches the ladies, takes pill-shaped drugs, beats people like drums then tortures/shoots them, and socks Superman right on his justice-shaped jaw. On top of that, he drives really fast and crashes into stuff. Batman gives driving lessons, not takes them.)

A few thoughts on some other this and thats…

ARRIVAL
Not just a good movie, but a great UFO movie that doesn’t rely on all out paranoid military warfare on our space brothers, who look a heckuva lot like seafood appetizers. P.S. to the Internet: I’ve seen nearly every UFO video on YouTube™ and they’re starting to look fake. I’m beginning to think UFOs aren’t real. But that’s probably just crazy talk.

THE SHALLOWS
You can still be the most heavy metal, human-gulping shark with extra teeth in the ocean, but you still take second seat to Blake Lively’s seat in a string bikini worn throughout the ENTIRE MOVIE.

FANTASTIC BEASTS AND WHERE TO FIND THEM
An enthralling movie set in 1920s New York with wizards and a menagerie of off-the-hook mythical creatures and monsters, the likes of which have not been seen since the last WWE pay-per-view. Y’know, I bet Harry Potter fans might like this.

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN
In my day a home for peculiar children was called “summer camp.” A bunch of mutation kids with unique abilities: floating, projecting movies through eyes, starting fires by touching stuff, super strength, control of nature, and my fav, eating through a mouth on the back of your head. You could take down a Frisko Freeze™ double deluxe burger in one mouth while sucking down a chocolate shake with the other. I wouldst like to live deliciously.

THE BOY
Featured The Walking Dead’s walking gorgeous Lauren Cohan. I wasn’t aware of anything else in the movie. I think it had some sort of boy in it. I think he was a puppet, which is just plain weird.

MORGAN
A genetic experiment gone wrong — or right, depending on where you stand on a contemporary updating of Frankenstein (1931).

There were a few genre misfires this year, though, including Independence Day: Resurgence, (we need to issue a formal apology to extraterrestrials), X-Men: Apocalypse (yeesh, what a mutant mess) and Star Trek Beyond, which relied more on blowing up things than the story line. Speaking of, why do they have to keep exploding the USS Enterprise over and over? Man, I wanted to drive that thing.

So what do we have to look forward to from here? According to IMDB.com there’s approximately 1,000+ horror/sci-fi/fantasy/superhero movies (Wonder Woman – I await you) slated for release in 2017. Butt — meet couch. Like Doctor Strange, I’m looking through space and time (and Collider.com) for Pacific Rim: Uprising (2018), Godzilla, King of Monsters (2019) and Godzilla vs. King Kong (hopefully before I croak). All the other stuff watched is what I’ll do to pass time/pass gas/pass out until those movies come to enrich my life.

Underwear Godzilla

Because of all your generous contributions to the box office for Godzilla (2014), the Japanese are planning to satisfy our yen (sorry) for more ’Zilla, this one officially titled Shin Gojira, and is set for release in 2016 thereabouts.

The filmmakers state that the 29th Godzilla film (31st if you add the American versions) will be one of the strongest Godzilla of the series. The plot? The King of Monsters smashes everything like he’s always done. (If it’s not broken, don’t fix it. And yes, I get the iony of that statement.)

While details are sparse, the one thing being told is that Shin Gojira will be even taller than the 2014 version. Use this handy comparison chart to wrap your reality around it…

• Godzilla 1954: 164 feet tall

• Godzilla 1985: 260 feet tall

• Godzilla 1992: 325 feet tall

• Godzilla 1998: No one cares as that Godzilla blew sea donkeys

• Godzilla 2000: 180 feet tall

• Godzilla 2014: 350 feet tall

• Godzilla 2016: 355 feet tall (possibly bigger)

Factfiend.com reveals that Godzilla’s height was specially chosen to make him “tall enough to adorably peek over the tippy tops of buildings.”

Directors Hideaki Anno and Shinji Higuchi promise to provide the “most terrifying Godzilla that Japan’s cutting-edge special-effects movie-making can muster.” This clearly means Shin Gojira will be smashing everything in hi-def.

The prefix “shin” has 13 different meanings, ranging everywhere from “new” to “true.” There’s even 54 more meanings when “shin” is added in conjunction with another word or letter. Example: “shin’i” means “underwear.”

Shin’i Gojira – the implications are staggering.

Godzilla Hotel

Godzilla, the world’s most iconic monster who has dominated all other monsters and related merchandising for decades, is about to conquer another foe: the hotel industry.

Godzilla Hotel opens April 17th, 2015 in monstrous fashion in Shinjuku, Tokyo, with an 80-ton, built-to-scale, radiation-spewing G-Head atop the 31-story Shinjuku Toho building. (For hotel purists, the life-size head was based on his face from 1992’s Godzilla vs Mothra.)

From the press release that arrived with no free tickets to Japan OR complimentary five night stay with mini-bar privileges: “There are two viewing rooms, which overlook the massive head of the King of Monsters that erupts from the roof of the theater, while the third is a Godzilla Room boasting its own statue, movie posters and a gigantic claw over the beds. The hotel also offers Godzilla-themed memorabilia and treats.”

And the price to stay at what is now the best hotel in the world? $334 to $417 a night, depending on the date. The $125 view rooms are a less wallet destructive.

All this comes on the heels of Toho re-booting the Godzilla franchise for a 2016 release, no doubt re-energized by the American 2014 Godzilla movie blockbustering in $528.7 million worldwide. That would buy a lot of nights at Godzilla Hotel.

I wonder if the concierge is Rodan? That’d be so cool. Just don’t let him park your car; he’d probably eat it.