Shark Glasses, Dark Web, Horror Rock

If you wanna watch Discovery Channel’s™ Shark Week’s 30th Anniversary in style, you’ll need the awesomely awesome Shark Week sunglasses, which at $35.00 will take a sizable bite out of your wallet.

Launching July 22, 2018, Shark Week (which began in 1988) is set to score mouthfuls of ratings. Even cooler is that $5 of the branded sunglasses profit goes to Oceana™, the “leading international conservation organization focused on protecting and restoring the world’s oceans.” Kinda makes you think: how does one protect the world’s oceans — with squirt guns?”

More Shark Week sunglasses info from the press release: “Built on Knockaround’s™ durable and high-quality Fort Knocks frame style, the 2018 Shark Week sunglasses feature a translucent breakwater blue frame with Great White jaw graphics, silver hardware, and polarized predator red lenses. Every pair comes with a shark tooth microfiber protective pouch and Shark Week 30th anniversary commemorative packaging.”

Red lenses? That sounds groovy, especially when using ‘em to watch sharks tear through bloody seal/surfer carcasses. Talk about smearing frosting all over the cake!

While I go stand on the corner and beg for bit coins in order to buy this must-have eye-wear, here are a few upcoming horror/sci-fi movies that may or may require red-lensed sunglasses to watch…

TRIPTYCHON OF FEAR (July 13, 2018/region-free)
“Triptychon of Fear is a trio of gloomy and horrifying stories from Grindhouse Entertainment, the twisted minds behind the Ghouls Night Out trilogy, Isolation, and Snuff Tape anthology. The three episodes, running a combined 91 minutes, will be available for sale on July 13, 3028 at all German wholesalers and abroad.”

A trilogy, eh? Good things come in threes. So do bad things. But this is horror, so if bad ain’t happening to you, let’s put this in the goody column.

UNFRIENDED: DARK WEB (JULY 20, 2018)
“When a 20-something finds a cache of hidden files on his new laptop, he is thrust into the deep waters of the dark web.”

More teen social media horror, which is not my wheelhouse. That I’m even doing a public blog violates my personal standards and practices of making my privates public. Ironically, someone will have to Tweet a review that I’ll read as there are no plans in my e-less future to watch it.

DEAD ENVY (2018)
“Aging rock artist David Tangier’s sense of identity is all but destroyed as he works cutting hair to provide a comfortable life for himself and his wife. His sound and age bind him to the Rock of the 2000’s, where his band Katatonic Spin once ruled the scene. David cannot tolerate that his entire existence has fallen prey to the persona of “the has been.”

It’s said that Dead Envy is a musical. Strike one. The plot also borrows heavily from The Hand (1981). Strike two. I’ll know if it’s a strike-out after watching it.

THE SCARLET VULTURES (2018)
“A young woman discovers that she has a special ingredient that elicits a state of euphoria in its consumers, but not everyone is so special.”

There are so many jokes I could insensitively blurt out, but I don’t want a woman and/or women to beat me up.

Udder Horror

Dan Reilly is a farmer. But unlike ’Ol MacDonald, who also had a farm, In Isolation (2005), Dan is severely broke, so he has to rent his cows out for genetic research. That, or lose his late father’s farm, full of knee deep mud and cow poop. (Hey Dan — have you though about growing popcorn trees?)

Bovine Genetics Technology has been paying him cash to inject his one of his pregnant cows with a serum that will make them grow faster and produce juicer hamburgers. The opening scene has a research scientist sticking her arm (all the way up to her shoulder) into a cow’s outgoing hay chute. Why, oh why didn’t I turn off the DVD player right then and there?

Something bit her hand. I’m’ thinking it was a baby alligator ’Ol MacDonald flushed down the sewer and one of Dan’s cows ate it and…sorry. Later, the cow goes into labor and the calf gets stuck between cowhole and freedom. The scene where Dan and a young couple on the run found squatting near his property assist the delivery process is one of the ickiest horror scenes ever scene. It’s almost enough to make you swear off juicy cow burgers and baby alligators.

The newborn abomination, horribly disfigured by science, makes with the biting, which results in a nail gun defense strategy. Dan is the opposite of happy. He expresses this to the doctor who is wrecking his burger factories. But science cannot be denied, nor can the parasitic embryos still alive in the dead cows.

As in The Thing (1982), it’s determined that no one can leave the farm, as the science cow is loaded with infectious what-nots and has the distinct probability of destroying humanity, vegetarians included. While you never get to see science cow in all its inside-out glory, this thing seems to be all teeth, causing udder, uh, utter chaos as it goes on the attack.

It should be stated that crawling under the floorboards of a barn where cows turn hay into Texas pancakes is disgusting beyond belief, yet necessary for one’s survival. Only one makes it out alive. Who was it — the cow, the doctor, Dan, the squatter guy who knocked up his girlfriend after the cow bit him? The knocked up girlfriend? I’d crawl under a wet, infected barn before I ever told you.