Devil Barf, Ghost Coffins, Head Removal

How could 1973’s The Exorcist not be what the guy at the grocery store says is the scariest horror movie ever made when it has everything: religion gone wild, spin class barfing, multisyllabic naughty words, skull rotation, crucifix polishing, Latin beerspeak, demon boners… You’d have to go to church — or the Tug Tavern — to get that kind of party. Or do you? Now you can own an exquisitely detailed 1/10th scale model of the devil-possessed 12-year-old Regan MacNeil in her iconic bed pose right before she did a soul swap with backup priest Father Karras, making him jump out a five-story window onto the unrepentant cement stairs below…and Jesus not catching him.

From Iron Studios™ and BigBadToys.com: “Confined and restrained in her room on a bed with a padded headboard and foot-board to protect its occupant, a demonic evil entity possesses the body of a preteen girl, making her body physically distorted and covered in wounds. All the diabolic spirit that lives in her body wishes for is to cause the death of its innocent host. Considered by many as the most terrifying movies of all time, Iron Studios present their Possessed Regan MacNeil statue of the bedeviled protagonist from The Exorcist, one of the greatest horror films ever.”

While this limited edition statue doesn’t come accessorized with action puke (you can load up at the Tug Tavern), the model is hand-painted and made of bible-resistant polystone. And it will possess your wallet for $219.99 (estimated arrival 3rd quarter 2023). A suggestion would be to raid the nearest collection plate.

While you’re in confession (10 Hail Bloody Marys usually gets me off the hook —and puts me on other ones), here are a few upcoming horror movies that may or may not make you shout at the Devil — or your shoes… 

OPEN THE COFFIN / Out now (YouTube™)

“A detective investigates supernatural mystery murders that seem to be the result of a curse.”

Where would supernatural murder mysteries be without curses? That’s like having a used car sale without balloons.

IVANNA / Out now (YouTube™)

“A beautiful young woman, who has limited vision, and her family and friends are terrorized when they celebrate Lebaran at an old house in the Bandung area. She has visions of the previous owner, a Dutch woman named Ivanna who was murdered during the Japanese invasion of Indonesia in 1943. Now, Ivanna’s spirit has returned to the house seeking revenge.”

The ghost of Ivanna decapitates her victims. This no doubt is what’s causing the drastic decline of comb sales in Bandung.

KUNTILANAK 3 / Out now (YouTube™)

“Dinda, who is considered strange by the village children because of her strength, accidentally injures Panji and Ambar. Regretting her actions, Dinda asks Aunt Dona to register her at the Mata Hati School, so that she can learn to control her power.”

Just think of what you can do with super strength — open stuck peanut butter jar lids. Give me a minute and I’ll think of another one.

AMBER ROAD / Release pending 2023 (VOD)

“Amber Road is a hidden place in the digital universe where anything can be bought, sold and traded. It is a place where a person can fulfill their darkest desire or unleash their deepest depravity. And once you travel down that path, there comes a point where you can never return. A husband and wife awaken to find themselves trapped in a basement dungeon apparently at the hands of a serial killer driven by the demands and requests of sick and demented individuals finding a community on the dark web.”

Is it just me, or does this darkest desire digital universe sound like Amazon.com?

Coffin Movies, Human Supper Club, Death Boat

Not sure what I think about this: “The Goteborg Film Festival in Sweden, beginning on January 27, 2019, will be offering up 33 “sarcophagus screenings” of Aniara, a Swedish-language apocalyptic sci-fi film.” Yeesh, what’s next — sneak previews in a gas chamber?

According to The Hollywood Reporter, eight volunteers at a time will be shut into specially made caskets outfitted with screens, speakers and air vents. Inside the coffin will be a “panic” button for anyone who gets too freaked out. 

I’d break my finger pushing that button. Points for creativity, though. As for Aniara (2018), here’s this about that: “A spaceship carrying settlers to Mars is knocked off course, causing the consumption-obsessed passengers to consider their place in the universe.” I can feel their pain — my life would be nothing if it weren’t for drunk bidding on eBay™.

Before you go hopping into any movie sarcophagus, here are a few upcoming horror/sci-fi movies/TV series that may or may not have you reaching for the panic button. And remember, it’s not the coffin they take you off in, it’s the coffin that takes you often…

FOLKLORE (February 1, 2019/ HBO NOW, HBO GO, HBO On Demand)
“Folklore is HBO’s newest foray into the horror anthology genre. The series, which contains six hour-long episodes, will take place in six Asian countries including Indonesia, Japan, Korea, Malaysia, Singapore, and Thailand. Each of the six episodes is based on that respective country’s folklore and mythology, which includes various supernatural beings and strange occult practices. Each episode will be helmed by a different director, with each episode filmed in the local language of that particular country.”

This one was already aired on HBO Asia on October 7, 2018. (I didn’t know Asia changed its name.) As cool as the anthology series sounds, doesn’t do me much good if each episode is filmed in its native language. Geez, I can barely speak whatever language I’m currently burping out now.

BENEATH THE LEAVES (February 8, 2019/limited theater/VOD)
“Among countless others, four small-town boys are kidnapped by James Whitley, a deranged, warm-eyed psychopath. His grotesque pursuit to reunite orphaned children with their deceased birth parents is gridlocked when the boys escape and he is arrested. Twenty years later, Whitley flees during a prison fire and decides to see his mission through. Detective Larson, one of Whitley’s prior victims — and now a cop — is removed from the case due to impartiality leaving his partner and lover, Detective Shotwell to solve the case. Fueled by rage and a chance of redemption, Detective Larson chases the steadfast psychopath on his own, only to fall back into the same trap he once escaped as a child.”

Fueled by rage. Kinda my mantra. Hope career criminal James Whitely doesn’t try to kidnap me — I’ve got a full tank.

THE CANNIBAL CLUB (March 1, 2019/limited theater/ March 5, 2019/VOD)
“Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the club’s leader, her and her husband’s lives are in grave danger.”

Eating your employees — doesn’t sound too tasty, but it does cut down on having to hand out raises and buying groceries.

HARPOON (2019)
“With his perfect family and perfect upbringing, Richard appears to have it all. So when he thinks that his long-term girlfriend, Sasha and best-friend, Jonah, are having an affair, it sends him into a fit of rage that leaves Jonah a bloody mess. Once Jonah and Sasha convince Richard the allegations are false, Richard tries to buy back their trust by taking them out for a day-trip on his family’s yacht. Tension boils over once out to sea, and, to make matters worse, the yacht’s engine fails. Stranded without food and supplies, the trio must set aside their differences in order to survive.”

Can’t remember the title, but there was a Japanese horror movie with the same plot. It didn’t end well for them, either. I think they were all eaten by a giant octopus with nine arms. I could be slightly wrong about that.

Superhero Cheese, Sober Psychotics, Demonic Stuff

As first reported by Bloody-Disgusting.com, the next time your in Jakarta, Indonesia, make sure the black goo covering your steak/burger/fries is the new Venom Cheese and not something that came out of a septic tank and/or a squatting stray animal out back.

Yep, Willie Brothers Steak & Cheese Restaurant (who the heck puts melted cheese instead of ketchup on steaks?) is paying homage to the upcoming Venom movie by making gooey black cheese to garnish their menu items. The black cheese is made of standardized mozzarella mixed with processed activated charcoal. To that I say double ick.

While you go brush your teeth because you just threw up a little, here are a few upcoming horror movies that may or may not leave a black ring around your mouth…

THE MIMIC (June 12, 2018)
“The mother of a missing child takes in a lost girl she finds in the woods and soon begins to wonder if she is even human.”

This one came out in South Korea in August of 2017. I don’t remember that year on that old calendar I found out by the 7-Eleven™ dumpster. It is my fondest wish and dreams that you don’t confuse this Mimic with the same-titled sci-fi flick that came out in 1997. I don’t recall seeing that year on my FREE dumpster calendar as well. That said, I wish I was a mimic. Instead of turning from a creature into a human (already done that), or a creature that can turn into other creatures (done that, too), I’d totally try and get a job as an entertaining mime downtown in order to earn bus fare and/or a new calendar.

THE LIGHTHOUSE (July 6, 2018)
“Two men are trapped in an isolated lighthouse, surrounded by the deadly Irish sea, with both their minds ultimately pushed to the limits.”

Water, water everywhere, but not a drop of booze to drink. No wonder they’re being pushed to the limits. I guess rowing to the liquor store never crossed their damaged minds.

DARKNESS REIGNS (July 10, 2018)
“A group of filmmakers shooting a movie in a reportedly haunted hotel are faced with an unfathomable demonic force that possesses and attacks both the crew and the film’s star. Will the film’s director be able to escape with the paranormal proof he has captured, or will he succumb to the hellish plans of the demon who has surfaced?”

Too bad they weren’t filming this in the haunted Overlook Hotel. Then they could call it, I don’t know, The Shining, or something along those lines, and post it on YouTube™ and get lots and lots of likes. Not for the generic title, though.

EXTREMITY (2018)
“Alison Bell is an emotionally troubled young woman who was once sexually assault by her father. Believing that confronting her trauma might be a means of exorcising her pain, she signs up for a trip to The Manor, in which the only certainty is the promised experience of absolute, unadulterated terror. But the most purely frightening thing on display at The Manor is Allison’s own twisted psyche.

This one sounds f’d up just from the press release. Couldn’t they find another way of making Alison traumatized, like taking away her cell phone for a week or telling her you can’t afford to get her tickets to P!nk, even though you have the money stashed away for far more important things, like binge drinking?

Vinyl Horror, Mix ’n Match Predators, Slaves To Evil

If you have some loose bus change totaling $169.99 jingling around in your britches, you may want to click on over to HouseofMysteriousSecrets.com to pre-order their case set of miniature vinyl horror movie icons to put on various shelves and/or tabletops in the place you change (and hopefully wash) said britches.

Each of these cooler than heck collectibles is 3 1/4” tall and are bendable into different poses. For instance, the possessed Regan doll (The Exorcist/1973) could be bent over to reenact projective vomiting. Other characters include multiple versions of Freddy Krueger, Jason Voorhees, and Pennywise (1990 version). These dolls can be purchased separately, but why? Pre-order all of ‘em now as they’re arriving July, 2018. 

And while you’re clearing your shelves of unread books/plastic bowling trophies to make room for ‘em, here are a few upcoming horror/sci-fi movies that may or may not be collectible…

PRED4TOR (2018)
“From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.”

Already e-blogged about this prior, though I can’t recall when as I’ve been distracted by…pizza. So this is the latest key art and official plot — Predators swapping DNA spit in the shower with other species. You have my attention. Note to Predators: If it doesn’t involve probing or the touching of the swimsuit area, I would like to be genetically-upgraded so that I, too, may join your social club.

THE DARK (2018)
“Undead and hating it, young flesh-eater Mina haunts the woods surrounding her childhood home. When she befriends a physically abused boy, she must figure out why, for once, she isn’t feeling homicidal.”

Interesting spin on the zombie theme. I bet Mina eats the abused boy’s parents. And I hope she burps/farts as loud as the horns of humanity after finishing her meal. Parents or others who abuse kids should get even worse punishment than being digested and crapped out by a zombie.

THRESHOLD (2018)
“A group of graduating college seniors find themselves stuck in the spooky residence of the college President after a graduation party. The house changes as they move through it, no passage leading the same way twice. They soon discover the house is a labyrinth, and at its center is an ancient monster of mythology. As they are eaten one by one, they learn they are part of a ritual and must find their way out of the house by solving the maze if they are going to survive.”

It’s said that Threshold’s monster is a Minotaur, a creature half man, half bull. So does he sleep in a bed or a barn? I bet he’d be king of the rodeo at those county fair bull-riding contests.

SATAN’S SLAVES (2017/Indonesia – 2018/US)
“A record-breaking box-office hit upon release, Joko Anwar’s affectionate remake of 1980’s Pengabdi Setan is one of horror cinema’s recent triumphs: an atmospheric, expertly-shot roller-coaster ride of a haunted house film, inspired as much by Indonesian folklore as by retro genre classics.”

Slashfilm.com has this to say about that: “A Quiet Place and Hereditary have already been dubbed 2018’s scariest films to beat, but you can add Satan’s Slaves to that list now – the most horrifying film of 2018 you haven’t heard of yet.” With that kind of endorsement, it kinda makes your mouth start slobbering all on its own. Better wear a plastic shirt (and possibly pants) when I go see it. Heck, might as well buy a wet suit.