Teen Exorcisms, Tall Phantoms, Big Pigs

Finished binge watching the third season of From Dusk Till Dawn: The Series (2014 – 2017) and the Gecko Brothers locked horns with the Queen of Hell. Gotta say, in human form, she’s quite the looker. But in demon shape she has black/blue lava textured skin, well-flossed snake fangs, Predator hair and a dress Morticia Addams would kill for. Not seeing how she differs from all the other gals at the bowling alley, though.

Speaking of things not that different, here’s a pile of upcoming horror that you’ve seen before, whether you bowl or not…

AMERICAN EXORCIST (May 2, 2017 / VOD — August 1, 2017/DVD)
“Damon Richter thought he left the world of possessions, exorcisms and evil behind until an old friend arrives with frightening information about his estranged daughter knowing that only his otherworldly skills can save her.”

The possessed teen is probably just going through puberty, in which case, we’re ALL doomed. Dude, just sprinkle anything labeled Clinique around the house, buy her an iPhone™ and NEVER come into her room without knocking, lest ye be damned.

EVEN LAMBS HAVE TEETH (May 2, 2017)
“Dreaming of a trip to NYC, the beautiful Sloane and Katie leave for the countryside to earn money working on an organic farm. But on the way they are kidnapped and abused by a sinister family of small-town psychopaths. When the girls finally escape, they decide to return to the scene of the crime and settle the score. It’s not pretty.”

So organic farm hippie chicks have a streak for revenge. How do they think they’re gonna do that — make their torturers eat canned vegetables loaded with GMOs? As for small town psychopaths, aren’t they pretty much in every small town? This is what happens to society when you have no 7-Eleven™ or Starbucks™ within impulsive spitting distance.

TALL MEN (May 9, 2017)
“Terrence Mackleby claims bankruptcy after being over $80,000 in debt. His private world is turned upside down when Terrence is visited by strange demons and tall phantoms in business suits after he applies for a mysterious black credit card, in this nightmarish Holbrookian vision.”

This one used to be called Customer 152. I like Tall Men slightly better, though said height gifted men look like Slenderman’s neighbors. So demons and phantoms wear business suits to work. I guess casual Fridays don’t apply in other dimensions.

BOAR (2017)
Boar showcases the harsh and beautiful Australian landscape. Lurking within this picturesque setting is a dark and terrifying threat — a beast of staggering size with an uncontrollable desire for blood and destruction. Driven by its insatiable appetite for carnage, it defends its territory with brutal force and savagely takes on any who get in its way.”

With a press release this generic, all you have to do is swap out the title to Razorback (1984), Pighunt (2008), Chaw (aka, Chawz, 2009), Hogzilla (2014). But you’d already know that if you read my preview of this one back in November 4, 2015 (And it still doesn’t have a specific release date, but sometime in 2017.) I’ll re-state it: they should change the movie’s name to Bore.

REARVIEW (2017/2018)
“Nicky is a young woman traveling alone to meet her band mates — through the back roads of the British countryside — who escapes the clutches of a dangerous stranger. Her road trip soon turns from bad to worse as she finds herself running for her life as she attempts to escape a serial killer and the hordes of predatory locals in the area known as ‘The Highway of Tears’.”

This one smells like 1986’s The Hitcher. Hope she’s the singer of the band. Can you imagine if she was the drummer? Hauling a drumset around the British countryside, let alone from the band van to the backstage door, is a royal pain in the tom tom.

Our TVs Are Filled With Horror

It’s been a banner year for horror/sci-fi TV, the nightly news notwithstanding. While I’ve dipped my couch into stuff like The Strain, Preacher, Van Helsing and Outcast, due to there being only 24 hours to a day, I was only able to watch 1,825 hours of quality genre programming. Doesn’t scratch the surface of what’s out there. That established, here’s a few 2016 horror/sci-fi viewing habits…

THE WALKING DEAD
Like it or double love it, season seven’s opener was one of the all-time jarring shockers of this or any other year, setting the bar unreachably high on all out line-crossing torture porn. New hammy villain Negan (rhymes with “vegan”) makes season three’s Governor look like a Wal-Mart™ door greeter.

FEAR OF THE WALKING DEAD
Barely made it through season one. Then I watched the season two opener and walked away from it. Too many unlikeable characters in implausible circumstances. The zombies, ironically, are the most believable aspects of the show.

STRANGER THINGS
By far and away THE best new horror/fantasy series hit of the year. A monster called Demogogon exists in an alternate dimension called the Upside Down. (I’ve been visiting there every since discovering alcohol.) The darn thing gets into the regular dimension and all mystery heck breaks loose with pre-teens — and the magnificent Winona Ryder — Scooby-Doo’ing the heck out of said mystery. P.S. The Upside Down would be a great name for a dive bar.

AMERICAN HORROR STORY: MY ROANOKE NIGHTMARE
Like goat cheese on pizza, this season did not work at all. The problems? Start with the first episode and end with the last one. I’ll give ‘em props for trying to mix a reality show premise with found footage. But there’s a reason why reality shows and found footage suck. And the muddled, no questions answered season end was indeed a nightmare. P.S. Lady Gaga was vastly underused this season.

ASH VS. EVIL DEAD
As amazingly corny, campy and killer as you’d expect. Why didn’t they think of doing a TV series years ago? (Ash should’ve been elected president.) The evil dead still have it in for Ash after all these years. Good for us. Not so good for him.

STAN AGAINST EVIL
Stan Miller, a grizzled, forced-into-retirement redneck sheriff, Archie Bunker’s his way through an inexhaustible stream of demons stinkin’ up his New England town. One great crack after another: “My shirt smells like low tide at A**hole Beach,” and “Ever been beaten with a bag of oranges?” An easy and obvious successor to Ash.

FROM DUSK ‘TILL DAWN
On its third season, the Gecko Brothers really flesh out the franchise’s storyline and take it to new extremes with a shocking (and satisfying) amount of blood and violence. Pushing the boundaries of censorship, TV vampires have never looked this nasty cool.

THE RETURNED
One of the quiest, unsettling and beautifully creepy made-in-France eight-episode series (based on a French movie of the same name) in 2016. Will make you rethink what a zombie is/should be. Don’t worry about moving your lips to the sub-titles; there’s not a lot of wordings. Or screamings. As I said, quiet.

THE EXORCIST
Who knew they could take one punchline and make a tense and nervewracking TV series out of expunging demons from beleagured souls every week? Looks fun. Wonder if I can schedule an exorcism appointment for myself? My stupid health insurance probably won’t cover it, though.

CHANNEL ZERO
A tooth monster. Yep, you read me right. There’s a monster made of human teeth in this slow-burn awesome SyFy Channel™ original series. The show has bite. C’mon — how could I not say that? The joke was sitting right there.

SALEM
Tried to get through the first season of Salem a while back. Even with plenty of icky, gnarly witches and the demonic gunk/insects drooling/crawling out of their orifices, was not able to emotionally invest in it, which is why I haven’t pursed it in subsequent seasons. Probably should should go back and recommit to evil and see where the show takes me.

Of the sci-fi superhero stuff, watched most but not all. (Looking in your direction Arrow season 5 and D.C.’s Legends of Tomorrow.) Speaking of Arrow, his famous line before shooting criminals in the chest with his name always says, “You have failed this city…” At the beginning of season 4 his girlfriend attempts to make him breakfast. He looks at it and says, “You have failed this omelette…” That’s not just funny, it’s dang funny.

Anyway, here’s what else I warmed the couch cushions to…

SUPERGIRL
Season 2 episode (“Changing”) is where Supergirl gets drunk — on one drink — and her Black-Ops step-sister tells her she’s driving her home. Supergirl: “Well, I’m sure not flying!” I LOL’d over that one. Supergirl gets smacked upside the “S” in almost every episode, sometimes by space alien criminals instead of delicious adult beverages. I’ll give it to that super cutie — she can take a punch. Just not from the punch bowl. Heh.

P.S. Digging the crossover stuff, like when The Flash showed up in Supergirl’s world. Her day job boss at Catco (media conglomerate), not knowing who Flash is, named him The Whoosh. Priceless.

THE FLASH
Turns out there’s hundreds of Earths, each one accessible with the help of a user-friendly meta-human. This means more Flashie knock-offs, more meta-criminals, more storylines and more opportunities for the Flash to get beaten up every time he slows down. Quite nifty they’re invoking Flashpoint (time-travel and the Butterfly Effect) from the cartoons. Even still, a bit on the lightweight side. It’s not like I can change the channel or anything. Wait a sec…

GOTHAM
Pleasantly graphic and unflinchingly violent re-imagining of the classic Dark Knight universe, with a pre-pubed Bruce Wayne (not quite Batman) sporting a bat-a-rang for Selina Kyle (Catwoman as a street kid), the Penguin (criminal turned mayor — there’s a stretch), Edward Nygma (Riddler), Joker (killed off way too soon, but coming back somehow), Poison Ivy (played by three different plant species), and a D.C. sampler of legacy super criminals (Mr. Freeze, Mad Hatter, Hugo Strange). Despite all these tasty elements, it’s police detective Jim Gordon and Bruce’s now-legal guardian/servant Alfred (cast as a former member of the the British Special Air Service) who are the standout ass kickers here.

DAREDEVIL
Season one was good at establishing Matt Murdock — blind and struggling public defender — as a serious defender of justice with the business end of his fist. Season two’s storylines were better developed, but it’s the all-out slobber-knocking fight scenes, which often leave Matt a candidate for emergency medical attention, that leaves one’s mouth agape. Simply agape.

AGENT’S OF S.H.I.E.L.D.
This was a personal fav, but the storylines are jumping around like meta-frogs. Finding it interesting that Marvel and D.C., both of whom boast superheroes with the same abilities (Green Arrow/Hawkeye, The Atom/Ant-Man, Flash/Quicksilver, Hawkman/Angel, Aquaman/Sub-Mariner, El-Diablo/Human Torch), are using similar terms, if not story lines with Hive/H.I.V.E. It’s kinda like comparing apples to, um, windows. Heh. And an Aussie beer swillin’, womanizing, obnoxious Ghost Rider? Brilliant.

LUKE CAGE
Best surprise hit of the getting-crowded-by-the-minute superhero TV series. Luke, first introduced in Jessica Jones as her “friend” with mattress benefits, returns as a super smooth, reluctant, big city neighborhood hero impervious to artillery and sharp stuff while dispensing much-needed street justice with super strength, all against a backdrop of current day Harlem. (You’ll forget you’re watching a contemporary show and not back in the ’70s. An excellent homage to Shaft.)

Besides being a top-notch African-American superhero, the show’s music, performed in a criminal’s nightclub with today’s artists (Raphael Saadiq, Charles Bradley, Faith Evans, The Delfonics and more), is beyond groovy. I could easily dance to it. That’s MY super power. (Yeah, I prefer metal, but that’s where I let my neck dance.)

P.S. And why the flip is there not a second Jessica Jones season? Do I need to go all Daredevil on someone’s decision-making process?

P.P.S. And where the flippin’ fudge is iZombie season three? The CW’s™ website says it’ll be a two-hour season premiere on Tuesday, April 4, 2017. Get your cookbook ready for more brain-eating recipes.