Expensive UFOs, Ghost Selfies, Fear of Fear

Found some really cool Close Encounters of the Third Kind art (by artist Daniel Keane) on the Internet. (The term “world wide web” is so Netscape 3). This got me thinking about that recently released Navy jet fighter footage of a UFO pretty much outmaneuvering them as if playing paranormal dodgeball.

Made public (finally) by the Pentagon last December, the footage was shot back in 2004 and was so convincing the Pentagon emptied the collection plate for $22 million to study the “40-foot-long Tic Tac” and its relatives. And yet we can’t come up with a few hundred bucks to fix that @#$%! pothole on the street in front of my house? I already did the research — it’s definitely a hole. It’s so big, you could put other holes in it.

Here’s how the government rationalized the fund folly — retired Cmdr. David Fravor told CNN’s The Situation Room the money spent on the program was a drop in the bucket relative to the military’s over half-a-trillion-dollar annual budget. Pffft — I would’ve done the legwork for 82% of that amount.

On that promissory note, here are a few just released and upcoming horror/sci-fi movies that the military may or may not spend a million billion dollars to study…

IRRATIONAL FEAR (available now)
“Six therapy patients are brought together at a secluded cabin to confront their strangest fears. But these fears won’t just hurt them…they will kill them.”

My strangest fears include never getting to ride in that Death Proof (2007) Chevy Nova™, invisible dog poop on visible sidewalks, and getting bitten by a radioactive spider and webbing my pants in front of the Green Goblin. That would be embarrassing on so many levels.

MALICIOUS (Summer, 2018)
“When a young college professor Adam and his pregnant wife Lisa suffer a traumatic event, they find themselves along with Lisa’s sister Becky haunted — and connected — to a malicious entity. It is only when Adam calls upon Dr. Clark, a professor of parapsychology at the university, that the true horror of what they have encountered becomes clear.”

Lots of movie gals getting knocked up by evil these days: Restraint (2018), The Lullaby (2018), Still/Born (2018), Prevenge (2016), Shelley (2016), Devil’s Due (2014), Delivery (2013), The Clinic (2010), Grace (2009), etc. And let us not forget Rosemary’s Baby (1968), the gold standard for crib horror. (Honorary mention: It’s Alive/1974.) Why, there’s enough pregnancy-gone-wrong movies to fill up 40 weeks. Heh. For a really lurid take on this genre, try Inseminoid (1981). If the title doesn’t fill your diapers, the plot will: “A space-team member goes berserk after being impregnated by something on another planet.” It appears somethings on other planets don’t practice safe sex. I bet they don’t even pay child support, either, those losers.

AURA (November 8, 2018/UK— 2018/2019/US)
“Said to revolve around the concept of photographing your own aura, known as Kirlian photography.”

So you take a selfie of yourself sucking in your cheeks in like an anorexic/narcissistic supermodel and a ghost demon shows up in the photo? Just as it’s not making that two-fingered “peace sign” dealie behind my head, I’m okay with the photo-op. Ready for my close-up.

200 HOURS (2018)
“It’s 1986 and a group of graduate students are close to discovering a cure for sleep using an experimental new drug, but something goes terribly wrong with a test subject. After their department is shut down, the team moves forward in secret — only this time on themselves.”

Sounds like a rip-off of A Nightmare on Elm Street 3: Dream Warriors (1987) and Flatliners (1990/2017). More rip-offery: The movie’s logo rips freely from Stranger Things (2016). And the bra that gal is sporting? I’m wearing the same one!

2015 Horror: Best of the Worst

Movie commentary website ScreenRant.com recently posted their 12 Worst Horror Movies of 2015 list. They totally stole my idea, along with every other horror movie blog in existence. I feel mildly violated.

But rather than let it ruin my refreshing alcoholic beverage, here’s ScreentRant.com’s smack down along with my think tank thinkings on the subject(s). [Note: ScreenRant.com’s article, written by Scout Tafoya, is really quite good, accurate and well-researched – just the opposite of anything you’ll get outta me until I start getting paid to do this.]

From last to first…

12. MONSTERS: DARK CONTINENT
What it is: The sequel to Monsters (2010) wherein the title beasts have infected the Middle East where there’s already a war going on. Nice timing, stupid space creatures.
What SR said: “The monsters (admittedly still beautiful in design) are glimpsed from the sideline of the action and never meaningfully interact with the interchangeable leads.”
What I think doesn’t matter: Monsters: Dark Continent is two movies – military guys dealing with the horror of war, and military guys dealing with the horror of giant ick monsters. M:DC needed to pick a lane and drive in it as the two conflicts conflict with each other. Kinda like drinking a Budweiser™ and a Miller Genuine Draft™ at the same time. In theory it works, but it just doesn’t once the tops get popped. Still, the monsters are outrageously cool, especially that Mt. Everest sized one at the end.

11. KNOCK KNOCK
What it is: Two hot “stranded” chicks show up at a married guy’s house, get naked and entice him to stain his marriage vows. Then they try to permanently divorce him before his wife gets home.
What SR said: “As repugnant as it is arrogant, Knock Knock is a lose lose.”
What I think doesn’t matter: Did not see this one. Read some reviews, though. Not sure it qualifies as a horror movie in the traditional sense. Maybe if everyone wore a hockey mask…

10. THE GREEN INFERNO
What it is: Severely annoying student activists travel from New York City to the Amazon to save the Rain Forest. When their plane crashes in said foreign foliage, cannibals show up to invite them to/as dinner.
What SR said: “Cheaply made, obnoxiously written and not even half as extreme as it thinks it is, Green Inferno is an insult to the cannibal films of the ’70s it pays tribute to.”
What I think doesn’t matter: What they said. Embarrassing and irritating, GI, while filled with insides being turned outside, it’s really hard to get past what ScreenRant accurately calls “colossally stupid stereotypes.” Ironically, my complaint is with the cannibals – it took them one hour and forty-one minutes to finish their meal.

9. INTO THE GRIZZLY MAZE
What it is: A freakishly intelligent (and bottomless hungry) grizzly bear turns actors into bit parts.
What SR said: “The bear of the title is a mess of bad CGI effects and behaves conspicuously more like Jason Voorhees rather than a wild animal.”
What I think doesn’t matter: Yep. Though I will point out that the bear doesn’t just attack humans – it stalks and then rips them apart like jungle taffy. That’s what bears in horror movies are supposed to do.

8. BACKCOUNTRY
What it is: Vacationing campers are attacked and made into shredded meat by a bear of all things.
What SR said: “A couple of bland people for a weekend retreat to a wilderness trail that’s been closed for the season. That doesn’t stop them or a killer black bear from roaming around anyway. The kids get lost and it takes the bear entirely too long to show up and start chewing on hamstrings.”
What I think doesn’t matter: Mostly just fast-forwarding to the hamstring chewing action. Everything else was a waste of valuable drinking time.

7. SHARK LAKE
What it is: A black-market exotic species dealer unleashes a shark in Lake Tahoe where it chews out the swimmers.
What SR said: “No professional actors, terrible special effects, a sixteenth of the budget and lots of hilariously awful dialogue. Shark Lake will make you laugh an awful lot.”
What I think doesn’t matter: Every since Sharknado (2013), the ocean’s most feared apex predator has been rendered to a bad comedy punchline. And Shark Lake shamelessly gets in the feeding frenzy and continues the mockery. Note to Shark Lake filmmakers: Why don’t you dangle an errant limb in the ocean? Then we’ll see who’s laughing.

6. POLTERGEIST
What it is: An inferior remake of 1982’s superior Poltergeist
What SR said: “No one needed another Poltergeist; The monsters have a sort of evocative menace to them in their ten seconds of screen time, but when they’re represented by 3D screw bits and vomit fantasies, they’re a touch less formidable.”
What I think doesn’t matter: Just the thought of redoing Poltergeist is far more horrifying than the movie turned out to be. Hollywood must need the cash. P.S. “Vomit fantasies” – heh.

5. BURYING THE EX
What it is: A guy’s dead nagging girlfriend comes back from the grave and wants to continue their relationship. A guy’s worst day and nightmare.
What SR said: “Crazy sexist and smug, Burying The Ex is unquestionably [director] Joe Dante’s worst film.”
What I think doesn’t matter: ScreenRant may have missed the point – Burying The Ex is a comedy and supposed to be crazy sexist and smug. And hey, funny naked and horny fat guy to help keep things swingin’.

4. THE LAZARUS EFFECT
What it is: Medical researchers discover a way to bring animals/people back from the dead. For commercial applications, of course.
What SR said: “There isn’t a scare in the whole film and it loses steam right around the time it starts offing cast members, the film’s equivalent of shrugging its shoulders when it runs out of ideas.”
What I think doesn’t matter: Horror snobs not unlike myself recognize Lazarus as pilfering Flatliners (1990) and Pet Sematary (1989). In other words, nothing new here. That said, when was anyone ever brought back from being dead and not all f’d up in the brain hole?

3. MAGGIE
What it is: A Midwest small town girl is infected with a virus that’s slowly turning her (and select others) into a zombie. Living in a Midwest small town does the same thing.
What SR said: “The filmmakers never quite figured out when this experience starts benefiting anyone crazy enough to watch a low-budget Arnold Schwarzenegger film. Take away his explosions and he’s lost without a map.”
What I think doesn’t matter: Casting Arnold Schwarzenegger with his famous Austrian accent as a Midwest farmer was a big pitchfork in the rump. Arnie doesn’t say much in this one, but when he does he stands out like a sore cow. His job, though, is to keep the authorities from moving his slowly rotting zombie teen daughter to a containment camp where they never come back because they just can’t. Maggie moves really s-l-o-w and there’s no brain eating. But I did like the last two minutes where she finally goes through zombie puberty and…

 2. HARBINGER DOWN
What it is: Mutated monsters get defrosted from Russian space junk at the bottom of the Bering Sea – and their first food order is grad students on a fishing trawler. Zazdarovje!
What SR said: “Harbinger Down could have used a few rewrites, a better cast, and a sense of purpose beyond its creepy crawly.”
What I think doesn’t matter: I’m a total sucker for giant monster movies. And it’s always a gratifying experience to see nauseating grad students being eaten by said giant monsters. You know what I say? Go giant monsters!

1. THE PACK
What it is: Man’s best friend turns Man’s best leg into a chew toy.
What SR said: “These dogs are just too cuddly and never look like they want anything more than belly rubs and behind-the-ear scratches.”
What I think doesn’t matter: Didn’t see The Pack. But I did see it in 1983 when it was called Cujo.