Batman vs. Dracula vs. James Bond, Robo-Cities, Bigfoot Returns

Batman Fights Dracula. Been looking for this movie for a million years. Here’s all I’ve been able to turn up: “Batman Fights Dracula is a 1967 color Philippines film directed by Leody M. Diaz. The cast includes Jing Abalos in the duel roles of Batman and Bruce Wayne, and Dante Rivero as Dracula, the Dark Prince himself.”

If anyone knows where I can watch this for free (okay, I’ll pony up some fun coupons, but let’s not get crazy here), let me know so I can take this one off my leaking bucking list.

Also looking for James Batman, a 1966 Filipino Batman/James Bond spoof. Besides the teaming of Batman with James Bond (and Rubin, the Boy Wonder), the premise tells us this: “An evil organization called the CLAW has threatened nuclear annihilation on the rest of the world unless all countries submit to its rule within five days. Presenting a united front, an alliance of countries tap James Bond and Batman (and Rubin/Robin) to stop the threat. However, both Bond and Batman play brinkmanship with each other, and as the hour to doomsday winds down, are eventually forced to work together. Little do the protagonists know that the real enemy is closer than they think.”

While you go out and do the research for me, here’s a few upcoming horror/sci-fi movies to help take my mind off the likelihood that neither Batman or James Bond will be of any help. Then again, maybe Rubin can…

BAD TIMES AT THE EL ROYALE (October 5, 2018)
“Seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption…before everything goes to hell.”

Sounds a lot like Identity (2003), wherein 10 people who don’t know each other are stuck at a desolate Nevada motel during a gnarly rain storm. Doesn’t take long before they realize they’re being mysteriously being killed off, one at a time. I didn’t know it rained in Nevada. Learning something new every day.

MORTAL ENGINES (December 14, 2018)
“Mortal Engines is set in a post-apocalyptic steampunk world where entire cities have been mounted on wheels and motorized, and prey on one another.”

Cities on wheels fighting other cities on wheels? In your face, Transformers! For people who know how to read without moving their lips (unfortunately, I’m not a one-percenter), Mortal Engines is based on the novel of the same name by Philip Reeve. Good for him. And good for us the trailer showcases stunning visuals that makes viewers re-shape their mouth lips into a “wow” shape.

BIG LEGEND (2018)
“An ex-soldier ventures into the Pacific Northwest to uncover the truth behind his fiancée’s disappearance and finds more than bargained for after teaming up with a local hunter. 

Word around the trailer park is that Big Legend stars Adrienne Barbeau (72), former girlfriend of Swamp Thing and Lance Henriksen (78), whose locked feet with Bigfoot several times before in Sasquatch (aka, The Untold/2002) and Devil on the Mountain (aka, Sasquatch Mountain/2006). Let’s get ready to rumble!

EXORCISM AT 60,000 FEET (2018)
“On the last flight of a transatlantic passenger airliner, a demon is discovered on board.”

This is supposed to be a horror comedy, which makes sense as exorcisms are both LOL and VOL. (Vomit out loud.)Which brings me to the question: How the heck do demons get airplane tickets? You have to show ID and since demons are sometimes made of a bunch of other demons (“Legion, for we are many…”), hellspawners no doubt use counterfeit identification. And that’s totally illegal, which is probably why they’re in Purgatory in the first place. (Man, when I go off the tracks, I seem to just hit the gas.)

Stylish Snake Hat

In the 1970 horror martial arts flick Devil Woman, the night Manda was born in the Philippines, a freak lightning storm came outta nowhere and somehow transformed the crib rat into “a monster.” (Her dad’s words, not mine, as he saw her and crapped his pants. Neither was shown.)

As Manda gets few years under her head wrap (she’s clearly hiding something besides chronic dandruff), the neighborhood kids taunt her and try to take off the stylish turban. Blocking her in an alley, one kid sticks his hand under Manda’s hat and gets his hand bitten by a snake that was lounging under there. This brands Manda as a monster and she’s tormented relentlessly. Later, when she’s grown up to look like she came from the U.S. even though she was Filipino as a child, Manda vows relentless revenge on her formative years’ taunters.

Those who flaunted their taunts should be visibly shaken — Manda is indeed a monster and has the power to control snakes to do her bidding. This leads to hazardous conditions as the entire village is surrounded by dirt and woods where snakes make their living, a supportive argument for revenge law and demand supply.

Enter a Chinese kung fu master who wears a gold necklace, white V-neck t-shirt and white pants. All he needs is a vertical haircut and he’d be the kung fu master version of Vanilla Ice. His footwear looked like indoor slippers, though. He rescues a young gal, the daughter of a wealthy local dude, from a  gang of hooligans, who work for a gangsta head hooligan. (Full disclosure — he works for Manda.) The kung fu master takes on 20 thugs and kicks all their pants right in the pants. This won’t be the last time he has to deal with these smirking criminals, who mistakenly think there’s strength in numbers.

Manda continues her reptile revenge, killing her tormentors. While this is going on, the kung fu master has six (!) more run-ins with the gang, whose members now count in the 30s. And still, he mops the dirt floor with ‘em. When the local (and single) young gal is kidnapped and brought to the cave where Manda lives (kinda neat — wonder if it has working plumbing?), the master goes to rescue her. He predictably fresh beats the thugs into tenderized pork, jumps and flips over multiples of snakes, and faces off with Manda. It’s here she takes off her hoodie and reveals her hair is not hair at all, but a pile of icky wiggle snakes. (Medusa should file intellectual property infringement.)

Manda controls the snakes by snaking up her eyes and waving her hands in front of her, as if slowly washing an invisible window. This is ironic as most windows are already invisible. The master flings sharpened Popsicle sticks at the snakes and acupunctures their heads. Manda, who no doubt maintains heir coiling coif with Ssssalon Selective™ shampoo, falls after being cornered on a rock cliff. We don’t see her splat. This means, of course, sequel city. (Spoiler: It’s titled Bruka: Queen of Evil/1973).

Vampires, Lobsters and Dinosaurs

The Italian made Horror of the Blood Monsters (1970) might possibly be the all time WTF horror/sci-fi movies ever made. You can start with its numerous re-titlings, from 7 per L’Infinito Contro I Missili Spaziali (translation: 7 For The Infinite Space Against Missiles), to Space Mission to the Lost Planet, Vampire Men of the Lost Planet and The Flesh Creatures. I honestly can’t decide which one I like best.

Then there are the movie’s “everything but the kitchen sink” elements: vampires, cavemen, dinosaurs, UFOs, space rockets, lobster people, flying bat people, snake men, missiles, spears, lasers, bow and arrows, hatchets, supermodel cave girls and the highly-convincing (ahem) Spectrum radiation that keeps turning the “atmosphere” from orange to green. Yep, you guessed it – Horror of the Blood Monsters is actually a Grateful Dead hippie drug party.

The movie begins with gangs of vampires attacking citizens at night, sucking their blood or “sangue” from throats as if artificially-flavored cherry milkshakes. Then the movie abruptly shifts to outer space and a mission to a distant galaxy to discover the source of the vampire plague being a pain in the neck to us Earthers.

A shiny spinning UFO mothership dispatches a smaller less shiny UFO landing party to the mysterious planet below. And it’s here they find an ongoing war between vampire cavemen with candy cigarette sized/shaped fangs violently beating and stabbing a non-vampire tribe.

Everyone wears animal skins for performance boxer briefs (or “britches”) except for a super hot cave chick sporting an off-the-rack open shoulder ensemble with matching panties or “smoothing hi-cut briefs.” Meanwhile, up in space, rocket ships and the UFOs are shooting armed missiles at each other. I don’t know why.

Watched this one without sub-titles (free on YouTube™) and was unable to learn the entire Italian language during its 80 minute running time. Figured it couldn’t be that hard. But as supremely dumb as this movie is (the cavemen fight scenes were spliced in, taken from the 1965 Filipino movie, Tagani and other monster stock footage was also wedged in there), you can’t help but entertained by the lobster people with pain-inflicting pinchers and the mini bat people that live in caves and fly right at your face when you spelunk their caves.

Repeating scenes of the spaceships exploding and then reversing the footage to re-use again and again kinda wears you out. So does waiting for the hot cave chick to remove her top because it’s so hot on that irradiated planet. And was the mission to find out the source of the blood plague (brought to Earth by the Tubaton, vampire men from a distant galaxy) a success? For our sake I’d like to think yes. But man, I just don’t know.