Archive for Asia

Coffin Movies, Human Supper Club, Death Boat

Posted in Asian Horror, Asian Sci-Fi, Evil, Foreign Horror, Giant Monsters, Science Fiction with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2019 by Drinkin' & Drive-in

Coffin Movies

Not sure what I think about this: “The Goteborg Film Festival in Sweden, beginning on January 27, 2019, will be offering up 33 “sarcophagus screenings” of Aniara, a Swedish-language apocalyptic sci-fi film.” Yeesh, what’s next — sneak previews in a gas chamber?

According to The Hollywood Reporter, eight volunteers at a time will be shut into specially made caskets outfitted with screens, speakers and air vents. Inside the coffin will be a “panic” button for anyone who gets too freaked out. 

Aniara

I’d break my finger pushing that button. Points for creativity, though. As for Aniara (2018), here’s this about that: “A spaceship carrying settlers to Mars is knocked off course, causing the consumption-obsessed passengers to consider their place in the universe.” I can feel their pain — my life would be nothing if it weren’t for drunk bidding on eBay™.

Before you go hopping into any movie sarcophagus, here are a few upcoming horror/sci-fi movies/TV series that may or may not have you reaching for the panic button. And remember, it’s not the coffin they take you off in, it’s the coffin that takes you often…

Folklore

FOLKLORE (February 1, 2019/ HBO NOW, HBO GO, HBO On Demand)
Folklore is HBO’s newest foray into the horror anthology genre. The series, which contains six hour-long episodes, will take place in six Asian countries including Indonesia, Japan, Korea, Malaysia, Singapore, and Thailand. Each of the six episodes is based on that respective country’s folklore and mythology, which includes various supernatural beings and strange occult practices. Each episode will be helmed by a different director, with each episode filmed in the local language of that particular country.”

This one was already aired on HBO Asia on October 7, 2018. (I didn’t know Asia changed its name.) As cool as the anthology series sounds, doesn’t do me much good if each episode is filmed in its native language. Geez, I can barely speak whatever language I’m currently burping out now.

Beneath The Leaves

BENEATH THE LEAVES (February 8, 2019/limited theater/VOD)
“Among countless others, four small-town boys are kidnapped by James Whitley, a deranged, warm-eyed psychopath. His grotesque pursuit to reunite orphaned children with their deceased birth parents is gridlocked when the boys escape and he is arrested. Twenty years later, Whitley flees during a prison fire and decides to see his mission through. Detective Larson, one of Whitley’s prior victims — and now a cop — is removed from the case due to impartiality leaving his partner and lover, Detective Shotwell to solve the case. Fueled by rage and a chance of redemption, Detective Larson chases the steadfast psychopath on his own, only to fall back into the same trap he once escaped as a child.”

Fueled by rage. Kinda my mantra. Hope career criminal James Whitely doesn’t try to kidnap me — I’ve got a full tank.

The Cannibal Club

THE CANNIBAL CLUB (March 1, 2019/limited theater/ March 5, 2019/VOD)
Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the club’s leader, her and her husband’s lives are in grave danger.”

Eating your employees — doesn’t sound too tasty, but it does cut down on having to hand out raises and buying groceries.

Harpoon

HARPOON (2019)
“With his perfect family and perfect upbringing, Richard appears to have it all. So when he thinks that his long-term girlfriend, Sasha and best-friend, Jonah, are having an affair, it sends him into a fit of rage that leaves Jonah a bloody mess. Once Jonah and Sasha convince Richard the allegations are false, Richard tries to buy back their trust by taking them out for a day-trip on his family’s yacht. Tension boils over once out to sea, and, to make matters worse, the yacht’s engine fails. Stranded without food and supplies, the trio must set aside their differences in order to survive.”

Can’t remember the title, but there was a Japanese horror movie with the same plot. It didn’t end well for them, either. I think they were all eaten by a giant octopus with nine arms. I could be slight wrong about that.

TV Superheroes, Wooden Evil, Bad Babies

Posted in Evil, Ghosts, Misc. Horror, Nature Gone Wild, Science Fiction, Witches with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 15, 2018 by Drinkin' & Drive-in

Daily Planet

Cracking up over the “cover story” of the Daily Planet (where Superman as Clark Kent works for minimum wage) about superheroes uniting to protect the Earth. Whoever mocked this up is a flippin’ genius and probably drinks a lot of smart water.

Lois Lane and Clark Kent

The article is “written” by Lois Lane. So awesome. But it’s the photo of Superman (George Reeves), Batman (Adam West), Robin (Burt Ward) Wonder Woman (Lynda Carter) and Aquaman (Lloyd Bridges) that’s even better because none of these heroes overlapped in the same time/universe. Conclusive proof: Adventures of Superman aired from 1952 — 1958. Batman aired from 1966 — 1968. Wonder Woman aired from 1975 — 1979. And Sea Hunt (here’s the genius part) aired from 1958 — 1961. Outside of a pilot episode that sunk faster than a heavy metal clam, there was no Aquaman TV series. There was, however, a cartoon series that ran from 1967 — 1970, so someone cast former United States Navy frogman Mike Nelson (Lloyd Bridges) as the scuba-doo underwater hero (Sea Hunt ran for 155 episodes). That he was depicted as Aquaman (in his original DC Comics suit) is full-on brilliant. P.S. Aquaman was punked by Man From Atlantis, which ran from 1977 — 1978, and featured a guy with “amphibious abilities.” That is so low tide.

Sea Hunt

While I go to Metropolis to get a copy of the Daily Planet and frame it, here’s a few upcoming horror movies that may or may not be worthy of a Lois Lane cover story…

Blood Child

BLOOD CHILD (available now)
“After suffering a devastating miscarriage in Singapore, Ashley turns to a witch doctor to help her with the occult practice of raising a ‘ghost child’ and finding the spirit of her lost child. After returning to the States, Ashley and her husband Bill find themselves pregnant again. However, their happiness is short lived as the pregnancy acts as a catalyst for a series of terrifying events that start to occur within their home. The family soon learns that Ashley has brought back a lot more than just memories from Asia. The spirit of their lost child is not about to play second fiddle to the impending new arrival, and unleashes an unspeakable evil upon the household.”

YET ANOTHER evil kid birth movie. Start with Rosemary’s Baby (1968) and go from there. So what do you feed the little home wrecker — Gerber’s™ Demon Peas? (Their strained Hell bananas, though, are to die for. No pun intended.)

RootwoodROOTWOOD (2018)
“Students Jessica and William are hosting The Spooky Hour, a podcast about paranormal phenomena and urban legends, when they’re hired by the Hollywood film producer Laura Benott to produce a horror documentary about the Curse of the Wooden Devil. They smell a chance to become famous. Together with their friend Erin they enter Rootwood Forest and investigate the area to find out the truth about the Wooden Devil and his victims.”

Sounds like YET ANOTHER Blair Witch Project (1999) knock-off/rip-off. What if they get there, only to find out the Wooden Devil is just handmade birdhouse? We can only hope satanic seagulls live in it.

The Wind

THE WIND (2018)
“A supernatural thriller set in the Western frontier of the late 1800s, where a plains-woman is driven mad by the harshness and isolation of the untamed land.”

She’s not looking at the plus side of living way out in the middle of nowhere. No traffic, noisy neighbors and plenty of flesh-eating buffalo to play fetch with and occasionally rub their fuzzy bellies (they really like that). Sounds like a slice of Heaven to me.

Isabelle

ISABELLE (2019)
“An all-American couple dream of starting a family is shattered after they move into the perfect New England neighborhood. Once settled, they soon after descend into the depths of terror as they struggle to survive a genuine threat from a dark presence that appears to want to end their very lives.”

Though this one was originally titled, The Wanting, it should’ve been called The Republicans. It also describes me in a dive bar, or “unkempt tavern.”

A Mouthful of Tongues

Posted in Misc. Horror, Science Fiction, Slashers with tags , , , , , , , , , on July 10, 2018 by Drinkin' & Drive-in

Sixteen Tongues

I watched Sixteen Tongues (1999), a pseudo-intellectual, cyberpunk porn sci-fi, twice and still didn’t understand it. OK, I get the porn part, but the rest is pseudo-intellectual bull pucky.

Sixteen Tongues

Here’s what I pieced together: In the future a cop, horribly damaged by an explosion, is patched back together using the tongues of 16 people. An understatement to say he looks…unusual. He also makes people (male and female) pleasure him orally, then shoots them in the head. At no point did he read them their rights.

Sixteen Tongues

He lives in a seedy hotel next door to two shaved ladies, one into men, the other not, but both into each other. One is a horny Asian assassin with a freak fetish, the other a techno-junkie, on the search for a killer.

Sixteen Tongues

The horny assassin visits tongue man next door and she pleasures him with her tongue. He thanks her by not shooting her in the head, but leaves an oil slick of blood all over her chest as a souvenir of their first romantic moment. What a gentleman.

Sixteen Tongues

From there I lost the narrative. Hardcore porn plays on the TV around the clock but it’s blurred just enough to get a NR-rating. (That stands for No Refund.) In the end, a pretentious indie film made by people who don’t even know themselves what the movie is about.