Another Baker’s Dozen Ghosts

An evil rich uncle figured out a way to capture souls and store them in stay-fresh cubicles in his house, which is made of glass walls with Latin slogans on them to keep the pesky dead from touching his stuff.

These ghosts aren’t of the Casper variety — they’re the most gnarliest, f’d-up poltergeists on the planet, looking like they came from Marilyn Manson’s shiny pants.

Each of these ghosts were chosen for their unique energy, which, when combined with a demonic machine and a spell from some spell book, will open the Eye of Hell, allowing the user to see behind the creation curtain. (I’ve seen it — just a bunch of boxes filled with last year’s Christmas decorations.)

A family inherits the evil uncle’s house after said relative dies while trying to round up a ghost that doesn’t want to be rounded up. “This isn’t a house; it’s a machine made by the Devil and powered by the Dead,” remarks one ghost-hunter. An understatement — all the ghosts are contained in the basement, but the family screws around with the buttons in the Rubik’s Cube™ mansion and let the stinky wraiths out. Then it’s smack ass time.

These ghosts make Hellraiser’s Cenobites look like cotton candy vendors at Disneyland™. Blood and guts decorate the stylish glass walls like Dutch Boy™ paint. Lots of swearing, tension, and a handful of flinchy moments that’ll have you tossing your popcorn before you eat it, thereby wasting it.

2001’s Thir13en Ghosts (a hardcore graphic re-imagining of 13 Ghosts/1960) is quite lean on suspense and backstory, though, which makes it hard to give the ghosts some love when you don’t really know anything about them. As for the evil uncle, it’s not explained why he’s so mean. No matter; It’s heartwarming to see such ultra-violence and brain goo.