After filming a suicide in Tokyo’s killing field (the subway system), cameraman Masuoka is drawn back to the scene for more answers. Upon replaying the footage, he notices that just seconds before the man stuck a knife into his forehead, he was looking at something — and that something scared the life outta him. Well, that and the knife.
Intriguing set-up for the Japanese horror flick, Marebito (2006). Masuoka finds a door that leads to a vast subterranean labyrinth where the Detros (a contraction of detrimental robots) live. They’re eerie, white creatures who make people stab themselves in the head. He encounters a young naked gal chained to a wall. She can’t talk, but that doesn’t stop Masuoka from asking her out on a date. He takes her home and tries to feed her, but she keeps barfing all over the place. That’ll teach him to use Match.com™ to screen potential girlfriends.
The girl is drawn to Masuoka’s bleeding finger and sucks on it like a Tootsie Pop™. Instead of feeding her with his own liquid, Masuoka sets the dinner table with dead animals. If you’re thinkin’ yum, too, then we’re on the same wavelength. But the girl needs human blood. Masuoka goes so far as to slice his own tongue in half and feed it to her. Even though it looks like she’s kissing him, she’s really just removing the blood out of his face. Still, ick.
But like all good love stories, it must come to a grisly end. So was it all in Masuoka’s crazed, Prozac™-deprived head, and that he really murdered his wife, and the mute girl was his daughter whom he kept chained like a dangerous pettable animal? Or are there really eerie white creatures living beneath Tokyo in huge caves? I’m going with the Detros.